Jerry and Bobby create a beautiful space before TOO. A conversation in strings. Billy and Mickey create primal, carnivorous music. Hunting music.

What a crown jewel Pretty Peggy O can be. A truly tender version that washes away all my worries. These 74 versions are quite special.

The Dead take the Parisians through a cowboys surrealist day dream. Check out how both Keith and Jerry are utterly locked into the music.

Blossoms and blooms like a shining red rose. I really love the energy for this show.

1974 and Ship of Fools go together like peanut butter and jelly. Full of emotion. They're really giving their all in this.

Holy shit. Carrion right again with the Miles influence on this one. This is one of the best jams they have ever put to tape. It's intense, full of life, a new species of animal could be born from this music it's that full of life. Total annihilation of the psyche that zaps you right in the brain and sends you down a whirlpool of magic through sound. Oh how I wish that The Dead continued to explore this side of their music. Drums/Space could be so limiting compared to the Avant Garde heights they reached in the 60s-75. I love 76 onwards but to me this is the Dead at their purest. Continuously inventive that transports you to different multiverses. This is it.

A deep atonal space that showcases how far the band was able to take this kind of music. True students of freeform jazz in which those abilities are put on full display. Hints of Sun Ra, Lonnie Liston Smith, incredible combination of sound and imagination. Personal favorite version.

Coming back again and again to this genuinely great version. Love the octave sound during the main China Cat riff. Such a shame they let Keith and Donna go. This is already a great look into where they could have gone if they had all stayed together. Methodical and wild playing from Jerry, a psychedelic circus where he can do whatever he likes. What a show.

A version that deserves so much more love. Much more mellow than other versions of the tour, which actually is a strength in this case because I think the band was really able to comfortably traverse different rhythmic spaces without losing any focus. Existential bluesy riffing, with Pigpen roaring and getting down to business. This one gets spacey but Pigpen really makes it work in his favor and doesn't get lost, but actually guides the band towards the light within the dark. This show is dripping in acid. One of the best of all time that explores really deep and almost heavy pockets of groove. Pigpen and the band are perfectly in sync. Gets out there to the very edges of the universe, but stays so consistent. Lots to love in this one.

Ferocious and funky. Light one up and let yourself get taken into a whole other world. some of my favorite phrasing from Jerry comes from Big River and his unrelenting licks and rhythmic interplay make for an incredible interpretation of this Johnny Cash tune. Keith is also catching a wave. Sick.