Phil joyously expresses himself on this. A gun shot is heard on this one signaling a jam, and the William Tell Bridge is really well played. Excellent

Sandwiched between Truckin’ and Eyes, this jam takes me to checkerboard floors and red curtains. Deserves its own place. Unique Jerry lines.

I adore any version of this tune. This one is particularly joyful and full of life.

Bouncy as it is lysergic. Unique phrasing from Jerry. Everybody’s vocals are on. The Rider is some pure country fried jamming if I’ve ever heard it.

This is The Dead at peak performance level. Cataclysmic version. Everyone is ON. Explorative and not a beat missed. Easily top 5 of 69.

An intergalactic overdrive of spiraling tonal spaces. This powerful and jazzy version encapsulates what the band is really capable when they're really on. A top 5 version for me, this short and sweet Playin' wastes no time and gets straight to the point. Shades of Coltrane and Pharoah Sanders all over this one. Everyone is in top form, not a note wasted, and a genuine virtuosic showcase of the bands abilities. So good.

Acid rock at its absolute finest. Jerry's phrasing is so full of energy and particularly bluesy. Pigpen sounds absolutely incredible and his control and power as a band leader is very apparent here. I Highly recommend this one. The boys are psychedelic warriors on this one.

This is literally just the opener, passionate version that calls back to when they used to open up shows in the 60s with Morning Dew. So good.

Had to comment again, my last comment did not do this psychedelic king of kings justice. Interstellar overdrive is standard of this elegant and alchemical performance. A trip on a lysergic spaceship aptly named the Grateful Dead, this performance channels a lot of archetypal imagery, a dive into the collective unconscious and a royal and grand version. Jerry puts on a clinic with Keith delivering some beautiful responses to this debate between wizards. Lots of cool rhythmic ideas, a whopping 17 minutes before the first verse, and after is some of the most intense, shadowy meltdowns in the dead’s history. A wailing of existential pain ensues which follows with some absolutely morbid feedback work which melts everyone down to every last molecule. A deep darkness, almost arachnid like as this section conjures up imagines of spiders and the weaving of neon colored webs. Billy K comes in with an earth shattering drum solo that takes you deep into hell and never stops until you reach complete nothingness. A jam reminiscent of The Miles Davis electric band ensues which flips your brain and chops it into pieces and completely rearranges it. Top 5 for me. A truly long, and strange trip.

12 minutes of pure bliss. Stupidly good Half Step, you can hear the synthesis for so many great versions later to come right in this version, stunning melodic improvisation that will later become a staple for the song. They’re ON