headyversion

find the best versions of grateful dead songs

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OrangeTangoJam

yeller dawg

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Submissions

1
The Eleven
June 21, 1969
Fillmore East

Stupidly heavy, shades of early heavy metal on this one. Incredible controlled chaos that explores so much. A very tight version.
1
St. Stephen
June 21, 1969
Fillmore East

Phil joyously expresses himself on this. A gun shot is heard on this one signaling a jam, and the William Tell Bridge is really well played. Excellent
1
Space
June 20, 1974
The Omni

Sandwiched between Truckin’ and Eyes, this jam takes me to checkerboard floors and red curtains. Deserves its own place. Unique Jerry lines.
2
It Must Have Been The Roses
June 20, 1974
The Omni

I adore any version of this tune. This one is particularly joyful and full of life.
1
China Cat Sunflower -> I Know You Rider
Nov. 15, 1969
Lanai Theater

Bouncy as it is lysergic. Unique phrasing from Jerry. Everybody’s vocals are on. The Rider is some pure country fried jamming if I’ve ever heard it.
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Comments

Dark Star
Aug. 24, 1972
Berkeley Community Theatre

The meltdown sections reminds me of a more mature version of the Dead’s feedback sections in the 60s. Keith sounding like Tom Constanten with the psychedelic channeling alchemical magic in the beginning of the section. This is what it feels like for The Dark Star to crash. The beginning is the calm before this deadly tornado came and blew everything away. This is it. True existentialist expression. Lovely jazz exploration near the end as well. I may prefer this over Veneta. Lol.
Promised Land
March 28, 1973
Civic Center

Just has that energy, I love Jerry’s witty and locomotive playing on this one. So great.
China Cat Sunflower -> I Know You Rider
March 28, 1973
Civic Center

A versions that blossoms and blooms with creativity. Earthy version that feels grounded yet exploratory. Sways gently with the wind and rocks you ever so gently. Great wormhole spiraling jamming.
Me and My Uncle
May 14, 1974
Adams Field House, U of Montana

^Great review that perfectly encapsulates the feel of this song. This is one of many reasons why this in the upper echelon of personal favorite Dead shows for me. The cowboy tunes and the new American standards are played to damn near utter perfection. I am a jam head but I always love it when the song itself is played to it’s fullest potential. Love love love this show
Dark Star
Oct. 12, 1968
Avalon Ballroom

The Charlie Miller source is genuinely so good. A crystalline sound and so coherent for 68. This is one of the very best and a soaring psychedelic mind melt. I’m high just listening to them. One of the first I ever heard and to this day remains a staple among my Dead listening sessions. Pure Dead.
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