headyversion

find the best versions of grateful dead songs

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OrangeTangoJam

yeller dawg

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Submissions

1
The Eleven
June 21, 1969
Fillmore East

Stupidly heavy, shades of early heavy metal on this one. Incredible controlled chaos that explores so much. A very tight version.
1
St. Stephen
June 21, 1969
Fillmore East

Phil joyously expresses himself on this. A gun shot is heard on this one signaling a jam, and the William Tell Bridge is really well played. Excellent
1
Space
June 20, 1974
The Omni

Sandwiched between Truckin’ and Eyes, this jam takes me to checkerboard floors and red curtains. Deserves its own place. Unique Jerry lines.
2
It Must Have Been The Roses
June 20, 1974
The Omni

I adore any version of this tune. This one is particularly joyful and full of life.
1
China Cat Sunflower -> I Know You Rider
Nov. 15, 1969
Lanai Theater

Bouncy as it is lysergic. Unique phrasing from Jerry. Everybody’s vocals are on. The Rider is some pure country fried jamming if I’ve ever heard it.
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Comments

Playin' In The Band
July 21, 1974
Hollywood Bowl

Apocalyptic in nature this version is filled with rays of violet that envelope the brain with mind altering information. Electric blue, an Archaic Playin’ that’s pure psychedelic wind. Super great transformative Playin’.
Playin' In The Band
Feb. 22, 1974
Winterland Arena

Tranquil and wonderfully free. Stellar ideas and electronic ramblings. The slipknot teases sound like a dire wolf traversing through a dark and twisted forest. This is really good.
Casey Jones
May 13, 1972
Lille Fairgrounds

Very cohesive version with lots of great dynamics. 72 is so good.
China Cat Sunflower -> I Know You Rider
May 13, 1972
Lille Fairgrounds

Confident and powerful, the Europe 72 mojo is on full display here, wonderful inventive ideas played with grace and ferocity. Nice grit from Bobby’s guitar too!
Caution
Aug. 3, 1969
Family Dog at the Great Highway

Gets weird FAST, hold on to your soul and make sure you have the lights dimmed low for this. A meltdown for the ages reminiscent of Coltrane’s later years and his exploration of sound. Saxophone atonal music with creepy staccato lines from the fiddle and crystalline keyboard playing to top off, this gets deep into the psyche and explores many deep realms of music. Keep an open mind. One of my new favorite dead recordings.
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