headyversion

find the best versions of grateful dead songs

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OrangeTangoJam

yeller dawg

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Submissions

1
The Eleven
June 21, 1969
Fillmore East

Stupidly heavy, shades of early heavy metal on this one. Incredible controlled chaos that explores so much. A very tight version.
1
St. Stephen
June 21, 1969
Fillmore East

Phil joyously expresses himself on this. A gun shot is heard on this one signaling a jam, and the William Tell Bridge is really well played. Excellent
1
Space
June 20, 1974
The Omni

Sandwiched between Truckin’ and Eyes, this jam takes me to checkerboard floors and red curtains. Deserves its own place. Unique Jerry lines.
2
It Must Have Been The Roses
June 20, 1974
The Omni

I adore any version of this tune. This one is particularly joyful and full of life.
1
China Cat Sunflower -> I Know You Rider
Nov. 15, 1969
Lanai Theater

Bouncy as it is lysergic. Unique phrasing from Jerry. Everybody’s vocals are on. The Rider is some pure country fried jamming if I’ve ever heard it.
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Comments

Morning Dew
Jan. 3, 1970
Fillmore East

Dew openers are a portal into something deep. This is no exception. Super psychedelic with a beautiful marching drum sound all throughout. Sets the tone for the entire show. Pure Armageddon fire and brimstone primal jamming. Deserves way more love.
The Music Never Stopped
Oct. 16, 1977
Louisiana State U

Go listen, like now.
Dancin' in the Streets
May 8, 1977
Barton Hall - Cornell University

I remember going on a trip to Dallas and as I was getting picked up, this was the first song I heard in the car. Afterwards they fired up Dark Star>El Paso 8/27/72. To this day, this Dancin’ has a special place in my heart because it was one of those jams that opened up my eyes to what the Dead could really do. Happy anniversary Cornell
Me and My Uncle
Aug. 6, 1971
Hollywood Palladium

Perfect. One of my favorites that's right up there with 4/24/72 for when I'm craving a MAMU sandwich.
The Other One
Aug. 6, 1971
Hollywood Palladium

Jerry's phrasing is SUBLIME. Like shooting stars across the sky. Long and lengthy can really be fun especially with this band, but sometimes the more dense jams pack in a lot more in many different and subtle ways. Gets deep and dark before MAMU. Ghastly and spacey. Jerry's literally wailing on the guitar. Love the Macabre vibe this has. Love that one of the audience members ask something a long of the lines of "what song are they doing?" during the spacey sections. One of many ground zeroes for the band to explore more territories in. WRS dances all along the re entry from MAMU. Stunning and dark. Infatuating version.
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