headyversion

find the best versions of grateful dead songs

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OrangeTangoJam

yeller dawg

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Submissions

1
Turn On Your Love Light
Oct. 31, 1969
San Jose state university

This is The Dead at peak performance level. Cataclysmic version. Everyone is ON. Explorative and not a beat missed. Easily top 5 of 69.
2
Dire Wolf
Oct. 31, 1969
San Jose state university

Nice early electric version. Always preferred this key for Dire Wolf compared to when they changed it in the later years. Just right. Nice version.
1
Next Time You See Me
Oct. 31, 1969
San Jose state university

Takes you right to Chicago. Jerry’s playing emulates the blues greats. Hard rocking version that reminds me of a Junior Wells cut. Highly recommend.
1
High Time
Oct. 31, 1969
San Jose state university

Haunting organ playing. Crystalline and psychedelic early version that feels very spacey. Great vocal delivery.
1
Me and My Uncle
May 25, 1974
Campus Stadium, UCSB

Very nice solo from Jerry. Phil is all over this as well, some great melodic bass playing that compliments the song very well.
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Comments

Morning Dew
Jan. 3, 1970
Fillmore East

Dew openers are a portal into something deep. This is no exception. Super psychedelic with a beautiful marching drum sound all throughout. Sets the tone for the entire show. Pure Armageddon fire and brimstone primal jamming. Deserves way more love.
The Music Never Stopped
Oct. 16, 1977
Louisiana State U

Go listen, like now.
Dancin' in the Streets
May 8, 1977
Barton Hall - Cornell University

I remember going on a trip to Dallas and as I was getting picked up, this was the first song I heard in the car. Afterwards they fired up Dark Star>El Paso 8/27/72. To this day, this Dancin’ has a special place in my heart because it was one of those jams that opened up my eyes to what the Dead could really do. Happy anniversary Cornell
Me and My Uncle
Aug. 6, 1971
Hollywood Palladium

Perfect. One of my favorites that's right up there with 4/24/72 for when I'm craving a MAMU sandwich.
The Other One
Aug. 6, 1971
Hollywood Palladium

Jerry's phrasing is SUBLIME. Like shooting stars across the sky. Long and lengthy can really be fun especially with this band, but sometimes the more dense jams pack in a lot more in many different and subtle ways. Gets deep and dark before MAMU. Ghastly and spacey. Jerry's literally wailing on the guitar. Love the Macabre vibe this has. Love that one of the audience members ask something a long of the lines of "what song are they doing?" during the spacey sections. One of many ground zeroes for the band to explore more territories in. WRS dances all along the re entry from MAMU. Stunning and dark. Infatuating version.
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