The AUD is amazing. Keith shines, and everybody's into it. Bootstrap '76 knockin' down your door.

Steady charge, everyone rallying along the theme. Philzone!

To the point - and totally out of the blue. This is Dead magic.

One of their truly psychedelic songs, on a truly psychedelic night. Incredible transition from Cryptical.

High octane Seven > Good Lovin' from a overlooked diamond in the rough.

Phil is off the hook, found this today. This is the shit! EDIT: Has Phil ever been this prevalent in a Dancin'? Listened to this constantly the last few days.

I love these '76 pearls. Mellow and thoughtful, thank you.

(I'm going to issue a PSA here, the Seven is probably the most explosive jam of the 60s, maybe ever, it's THAT good)

I wouldn't call it a Caution jam, as Phil often quoted the Caution bass riff to speed things up. LIA's blog talks more about this! (11/10/67, 2/2/68, the Monterey version etc.) The amazing highlight of this (sort of) sloppy version is the "Seven" quotes from the middle onwards, and especially at about 12:30 on the 'Fallout' version. The way Phil and Garcia lock into the riff, and then Bobby, Mickey and Bill jump on it is outstanding. They play this weird mix of Viola, Caution and the "Seven" from the middle to the fiery finish which i just can't get enough of. Not the best Viola, but certainly one of the most interesting. Imagine if they went into the Seven properly! It would probably out-do the 9/29/69 GoGo version by a mile (And in much better quality!) NB: Garcias slashing intro chord will permanently fry your frontal lobe.

This grooves hard - like a dancing snake. Yes.