headyversion

find the best versions of grateful dead songs

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as2191

Head'sAllEmpty

+1328


Submissions

18
Eyes Of The World
June 18, 1976
Capitol Theatre

There's a beautiful 16mm video of this on YouTube -- https://www.youtube.com/watch?v=mf1dNTexCL4. Some absolutely beautiful runs by Jerry here
1
Turn On Your Love Light
June 14, 1968
Fillmore East

Not the best sound quality, but the quality shines through. Deserves a listing. Jerry and Bill K. on top form
45
Me and My Uncle
April 26, 1972
Jahrhunderthalle

This needs more votes. It's confident, solid, well-delivered, and bouncy as hell.
6
Turn On Your Love Light
Nov. 7, 1969
Fillmore Auditorium

Dynamic. Not the best, perhaps, but a 25-minute version from DP16 that's definitely worth listing.
21
Caution
Feb. 24, 1968
Kings Beach Bowl

An absolute monster. From 'Dick's Picks Vol. 22'. The way Pigpen's vocals are recorded, weaving in and out of the rhythm tracks, is truly haunting.
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Comments

Not Fade Away
Oct. 1, 1977
Paramount Theatre

Great guitar work here! Man, this whole show is terribly underrated. It contains the best "Music Never Stopped" ever, a phenomenal "Bertha", a damn-near flawless "Estimated Prophet" into a ripping "Eyes" -- give the whole thing a listen, people.
Bertha
Oct. 1, 1977
Paramount Theatre

This has so much bounce! So much fun. Perfectly executed by every band member, and so confident. Should be far higher in the list solely on the basis of that fantastic, undeniable groove. Jerry doesn't stint on the soloing, either, and he nails each one.
The Music Never Stopped
Oct. 1, 1977
Paramount Theatre

This is beautifully recorded, though Bob's lyrics are very low in the mix for the first few lines. The backing lyrics suffer a little early on from Jerry's voice being more audible than Donna's. But the fact that despite those flaws, this version is still THE BEST should tell you how powerful it is. It beats 05/09 because not only is Jerry's solo equally good, it doesn't suffer from that unfortunate AUD fade halfway through. The drums near the end turn monstrous for a few seconds, too. Phenomenally heady.
Jack Straw
Aug. 4, 1974
Philadelphia Civic Center

Superb guitar, but great vocals too. Phil's particularly good on backing vocals here.
Terrapin Station
May 22, 1977
The Sportatorium

I agree with blackhorse -- that segue is what makes it. However, what there is of the rendition -- "Lady without a Fan" or not -- is beautifully delivered. Other than its incompleteness I can't fault it; it's committed, dynamic and contains some lovely rhythm work early on. Well sung by everyone, too.
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