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Submissions

3
Mississippi Halfstep Uptown Toodeloo
Oct. 14, 1976
Shrine Auditorium

The last halfstep of '76. After Rio Grandeo everyone including the crowd gets into it. The source is a B+ AUD.
1
U.S. Blues (Wave That Flag)
Dec. 30, 1977
Winterland Arena

Topical
3
Ship of Fools
Dec. 30, 1977
Winterland Arena

Timely
1
Franklin's Tower
May 4, 1980
Baltimore Civic Center

Different types of solos at each turn: straightaway, Listen-to-the-music-play, spacey, bluegrassy
2
Brown Eyed Women
May 4, 1980
Baltimore Civic Center

This one is fiery, especially the solo, in the vein of 8/24/80, including a hint of a Delilah Jones growl.

Comments

Sugaree
July 27, 1973
Grand Prix Racecourse

A great early version and the half step is sweet too. That 11/30/79 Terrapin, Watkins Glen and that 12/31/76 Good Lovin>Samson were the highlights of an amazing day on Cape Hatteras. There’s nothing like summer and the Grateful Dead.
Good Lovin'
Dec. 31, 1976
Cow Palace

One of a kind with a jam that prefigures the anomalous Samson that follows. It was on Sirius today. The Samson is smoked and represents a perfect mix of 76 and 77.
Midnight Hour
June 4, 1970
Fillmore West

Darkstar, you're right as rain, as usual. Recently I was reminded of that theory that 10,000 hours of practice can produce expert-level knowledge or virtuosity or whatever. These guys had been at it for a while at this point and so as gritty as this sounds compared to '74 or '76, the band is moving in unison in very much the same way. And some mountain jam flavors are there too - beautiful, major-scale stuff. Thanks, bro.
Mississippi Halfstep Uptown Toodeloo
April 30, 1977
The Palladium

This is the first really good one of the golden era. The 77s that come before it aren’t as good, though they are still of the same sort. But this is right there with 5/7, 5/12, 5/17, 5/25 and 6/9.
Dancin' in the Streets
Oct. 20, 1978
Winterland Arena

I just listened again. This one has it all. It’s not recognizable as dancin for most of the jam. Some will say that this isn’t all dancin, but what else to call it then? There are discrete episodes in the jam, some of which reach some ethereal peaks. The jam ends with a 78-era meltdown that does not have to reach bugs crawling on skin. You can pick on the slide, but that was what he was doing at the time and some of the slide work when he first puts it on is interesting and cool anyway. And what there is of the thematic stuff early is tight (minus Bob missing the very first word of the song). Given the sound quality of the available recordings, this one should be higher up than it is right now.