headyversion

find the best versions of grateful dead songs

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catalonia

neshaminy

+2082


Submissions

2
He's Gone
April 1, 1980
Capitol Theatre

A solid version with a passage about a minute long straight out of the heavens - directly following the a capella section. Must hear.
8
Stella Blue
July 1, 1979
Seattle Center Coliseum

Horrible video with STELLA sound on YouTube.
2
Black Peter
May 15, 1981
Rutgers Athletic Center

The first solo is sweet and beautiful. The outro is short, bluesy shredding.
7
Eyes Of The World
May 15, 1981
Rutgers Athletic Center

The well played end to a S>F>E>E combination. Jerry plays with a theme recognizable from the eyes on DP6.
8
Uncle John's Band
May 26, 1977
Baltimore Civic Center

The encore of the penultimate show of May 1977. It's short, but these people are practiced at this date.
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Comments

Truckin'
Jan. 6, 1978
Swing Auditorium

I concur. If you dig 11/2 or 11/6/77, this is some of that same vintage. Jerry couldn't sing second half of this show [and none the next night at all], so he went after it the only other way he could.
Playin' In The Band
Jan. 6, 1978
Swing Auditorium

The SBD linked from this page has the timings wrong. The following is also a SBD, but the tracks are split appropriately: https://archive.org/details/gd1978-01-06.sbd.wizard.24629.sbeok.shnf
Loser
July 22, 1984
Ventura County Fairgrounds

This is great. It helps that the SBD is of such a high quality.
Sugaree
April 12, 1982
Nassau Coliseum

Many Sugarees have a minimalist 3rd solo that's really more an interlude than a solo break. This one has a full 3rd solo where Jerry plays (for lack of a better phrase) understated hummingbird for the majority until he gets into a beautiful peak episode from 10:30-11:30. Three solos: good, better, then best.
Not Fade Away
Dec. 19, 1978
State Fairgrounds Coliseum

This was a nice rec, darkstar67. This has some nice thematic episodes - the kind of playing that was perhaps more planned earlier, but which emerges very naturally here and with subtlety. I think 6:45-8:00 is the highlight of this version. Jerry's playing is beautiful and the rhythm, while clearly intimately related to that of NFA, is still of its own sort.
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