headyversion

find the best versions of grateful dead songs

please login or register.

catalonia

neshaminy

+2082


Submissions

2
He's Gone
April 1, 1980
Capitol Theatre

A solid version with a passage about a minute long straight out of the heavens - directly following the a capella section. Must hear.
8
Stella Blue
July 1, 1979
Seattle Center Coliseum

Horrible video with STELLA sound on YouTube.
2
Black Peter
May 15, 1981
Rutgers Athletic Center

The first solo is sweet and beautiful. The outro is short, bluesy shredding.
7
Eyes Of The World
May 15, 1981
Rutgers Athletic Center

The well played end to a S>F>E>E combination. Jerry plays with a theme recognizable from the eyes on DP6.
8
Uncle John's Band
May 26, 1977
Baltimore Civic Center

The encore of the penultimate show of May 1977. It's short, but these people are practiced at this date.
show more submissions

Comments

Estimated Prophet
May 5, 1978
Thompson Arena - Dartmouth College

I listened to this three times today but I hadn’t ever heard it before. As Grendel says, the 1st solo break is fantastic. I like the outro too, especially the first minute or so, but the memorable segment in this version is that first break. Top notch.
Wharf Rat
Dec. 31, 1976
Cow Palace

This one is no joke, off on its own trip. I love the guitar tone Jerry uses on the outro.
Sugaree
Sept. 25, 1976
Capital Centre

Solo 2 is tight and is a slice straight out of 77. The climax to that second break - the last two minutes of it - is a Sugaree moment that can hold its own with almost any other.
Pretty Peggy O
Aug. 24, 1980
Grand Center

This one is an authentic sleeper. One vote when I got here. Top 10 Peggyo. SQ could be better but everyone’s cool with the BEW from this show.
Eyes Of The World
Oct. 29, 1977
Evans Field House, Northern Illinois University

I suppose that we have Grendel to thank in part for this release. I just listened to this Eyes while I navigated the subway this morning and I was filled mixtures of joy and then later fiery emotion during the shredding that goes on during the second solo break. This one is unique, bridging the gap between the 77 and 78 aesthetics. Garcia’s playing is controlled but he is shredding so hard that it almost gets away from him at times.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)