headyversion

find the best versions of grateful dead songs

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catalonia

neshaminy

+2082


Submissions

4
Caution
May 12, 1980
Boston Garden

This is a pretty intense early 80s-style Caution jam. I was surprised to find this just now.
5
The Music Never Stopped
Dec. 1, 1979
Stanley Theater

A unique beginning with nice peaks to both the mid jam and the outro.
3
Mississippi Halfstep Uptown Toodeloo
Feb. 4, 1979
Dane County Coliseum

The final Keith and Donna Half Step stands up well, even though there's one lonely AUD.
3
Mississippi Halfstep Uptown Toodeloo
May 11, 1979
Billerica Forum

An early Brent Mydland Half Step with electric piano pre rio grandeo and a joyful Garcia solo afterwards.
7
Sugaree
Oct. 18, 1978
Winterland Arena

No fanning or soaring peaks, but solo 3 (7:45-12:45 on CM's SBD) is a new favorite - sublime, mellow, laid back.
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Comments

Estimated Prophet
May 5, 1978
Thompson Arena - Dartmouth College

I listened to this three times today but I hadn’t ever heard it before. As Grendel says, the 1st solo break is fantastic. I like the outro too, especially the first minute or so, but the memorable segment in this version is that first break. Top notch.
Wharf Rat
Dec. 31, 1976
Cow Palace

This one is no joke, off on its own trip. I love the guitar tone Jerry uses on the outro.
Sugaree
Sept. 25, 1976
Capital Centre

Solo 2 is tight and is a slice straight out of 77. The climax to that second break - the last two minutes of it - is a Sugaree moment that can hold its own with almost any other.
Pretty Peggy O
Aug. 24, 1980
Grand Center

This one is an authentic sleeper. One vote when I got here. Top 10 Peggyo. SQ could be better but everyone’s cool with the BEW from this show.
Eyes Of The World
Oct. 29, 1977
Evans Field House, Northern Illinois University

I suppose that we have Grendel to thank in part for this release. I just listened to this Eyes while I navigated the subway this morning and I was filled mixtures of joy and then later fiery emotion during the shredding that goes on during the second solo break. This one is unique, bridging the gap between the 77 and 78 aesthetics. Garcia’s playing is controlled but he is shredding so hard that it almost gets away from him at times.
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