headyversion

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catalonia

neshaminy

+2082


Submissions

3
Mississippi Halfstep Uptown Toodeloo
Oct. 14, 1976
Shrine Auditorium

The last halfstep of '76. After Rio Grandeo everyone including the crowd gets into it. The source is a B+ AUD.
1
U.S. Blues (Wave That Flag)
Dec. 30, 1977
Winterland Arena

Topical
3
Ship of Fools
Dec. 30, 1977
Winterland Arena

Timely
1
Franklin's Tower
May 4, 1980
Baltimore Civic Center

Different types of solos at each turn: straightaway, Listen-to-the-music-play, spacey, bluegrassy
2
Brown Eyed Women
May 4, 1980
Baltimore Civic Center

This one is fiery, especially the solo, in the vein of 8/24/80, including a hint of a Delilah Jones growl.
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Comments

Uncle John's Band
Dec. 26, 1979
Oakland Auditorium

What a thoughtful review
The Wheel
Aug. 28, 1981
Long Beach Arena

This one is most definitely unique. It's worth hunting down. I saw the comment today and when I searched it on YouTube, a video with just the outro (the last 6:29) is one of the top hits. That was an early indication that this one is special.
Bertha
Nov. 14, 1978
Boston Music Hall

I hadn't heard it. I haven't heard another one like it. Sound quality is passable, but I wouldn't mind hearing this one a bit clearer. I've followed Sharleena's advice for years now and I've never been let down.
Deal
May 1, 1981
Hampton Coliseum

The new JGB release has some filler tracks from 6/1/81 and there is a Deal that is related to this one. It’s not as great as 5/1, but you will recognize the tone and an aggressiveness that it shares. I know that JGB Deal from 89-91 is highly esteemed and these two Deals, along with 11/30/80 are where it all began. I do not think that 5/1 can be beat and I love Deal in different eras and with different personnel. There is no outro solo prior to September 1980 and that makes it difficult to compare those two eras but the shredding started here.
Scarlet Begonias -> Fire On The Mountain
April 3, 1982
The Scope

This one is great for this time of year. The Seaweed soundboard makes the whole version sound great but the transition is really where this version shines. It's one idea after another and in that respect it is like a sonic springtime bursting forth
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