headyversion

find the best versions of grateful dead songs

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catalonia

neshaminy

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Submissions

4
Caution
May 12, 1980
Boston Garden

This is a pretty intense early 80s-style Caution jam. I was surprised to find this just now.
5
The Music Never Stopped
Dec. 1, 1979
Stanley Theater

A unique beginning with nice peaks to both the mid jam and the outro.
3
Mississippi Halfstep Uptown Toodeloo
Feb. 4, 1979
Dane County Coliseum

The final Keith and Donna Half Step stands up well, even though there's one lonely AUD.
3
Mississippi Halfstep Uptown Toodeloo
May 11, 1979
Billerica Forum

An early Brent Mydland Half Step with electric piano pre rio grandeo and a joyful Garcia solo afterwards.
7
Sugaree
Oct. 18, 1978
Winterland Arena

No fanning or soaring peaks, but solo 3 (7:45-12:45 on CM's SBD) is a new favorite - sublime, mellow, laid back.
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Comments

The Wheel
Aug. 28, 1981
Long Beach Arena

This one is most definitely unique. It's worth hunting down. I saw the comment today and when I searched it on YouTube, a video with just the outro (the last 6:29) is one of the top hits. That was an early indication that this one is special.
Bertha
Nov. 14, 1978
Boston Music Hall

I hadn't heard it. I haven't heard another one like it. Sound quality is passable, but I wouldn't mind hearing this one a bit clearer. I've followed Sharleena's advice for years now and I've never been let down.
Deal
May 1, 1981
Hampton Coliseum

The new JGB release has some filler tracks from 6/1/81 and there is a Deal that is related to this one. It’s not as great as 5/1, but you will recognize the tone and an aggressiveness that it shares. I know that JGB Deal from 89-91 is highly esteemed and these two Deals, along with 11/30/80 are where it all began. I do not think that 5/1 can be beat and I love Deal in different eras and with different personnel. There is no outro solo prior to September 1980 and that makes it difficult to compare those two eras but the shredding started here.
Scarlet Begonias -> Fire On The Mountain
April 3, 1982
The Scope

This one is great for this time of year. The Seaweed soundboard makes the whole version sound great but the transition is really where this version shines. It's one idea after another and in that respect it is like a sonic springtime bursting forth
Casey Jones
Oct. 2, 1977
Paramount Theatre

That’s fantastic
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