headyversion

find the best versions of grateful dead songs

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neshaminy

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Submissions

2
Brown Eyed Women
Oct. 28, 1977
Soldiers' and Sailors' Memorial Hall

Every bit the equal of Cornell. 8/24/80 still has a better solo, but this is 1977 y'all.
5
Tennessee Jed
Oct. 28, 1977
Soldiers' and Sailors' Memorial Hall

Perfect, with some filthy guitar in the outro.
2
Scarlet Begonias
June 12, 1984
Red Rocks Ampitheatre

1984 audience only standalone Scarlet (touch) at Red Rocks. Great solo, excellent transition.
6
Ship of Fools
March 22, 1985
Hampton Coliseum

10 minutes, on YouTube and worth a peek in b/w scarlet>bucket and terrapin.
5
Hell in a Bucket
March 22, 1985
Hampton Coliseum

Out of Scarlet Begonias to open the second set, with some teases of the song in the transition.
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Comments

Not Fade Away
June 4, 1978
Campus Stadium - University Of California

Darkstar67 heard that Darkness Jam (a good get!) in the 11/2/79 NFA and that got me looking around for others with unique sections. This one quotes Nobody's Fault But Mine from 5:00-6:00 on the linked source. The whole version is short, but it smokes and Donna sounds lively too.
Not Fade Away
Nov. 2, 1979
Nassau Coliseum

Funky and played at full volume by everyone, albeit short. Brent and Phil are out front for much of the first half. Definitely unique.
Mississippi Halfstep Uptown Toodeloo
May 4, 1977
The Palladium

Typical May 77 precision and fluency before rio grandeo and then decidedly different afterwards: sweet, quiet, subtle - a little weird to be so understated at the end of a show opener, but I like it. The actual singing of rio grandeo is excellent, even if the SQ of this board doesn't stack up against the rest of the month.
The Music Never Stopped
Dec. 17, 1978
Fox Theatre

Here: https://archive.org/details/gd78-12-17.sbd.wiley.13408.sbeok.shnf
Mississippi Halfstep Uptown Toodeloo
Dec. 12, 1978
Jai-Alai Fronton

I had a copy of just this halfstep mislabeled as 1/10/78 that someone burned for me in the late 90s. It's nice to know the actual date now. The highlight of this version for me is the sequence of octaves that Keith hits at the end of Garcia's solo just before they sing rio grandeo. Otherwise, a decent but not elite version.
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