headyversion

find the best versions of grateful dead songs

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catalonia

neshaminy

+2082


Submissions

2
Feelin' Groovy Jam
Feb. 24, 1973
University of Iowa

This one emerges from a Phil solo. There are only two fragments of this show on the archive.
2
Brother Esau
June 23, 1984
City Island

Sometimes hard to tell one from another. But whatever. This one is good. It's from City Island, which should have been a cool spot to watch a show.
2
Mississippi Halfstep Uptown Toodeloo
May 4, 1979
Hampton Coliseum

There is some magic post rio grandeo.
2
It's All Over Now Baby Blue
Aug. 14, 1981
Seattle Center Coliseum

Strike another match, go start anew: First one in 7 years. Sweet and slow, like the dozens to follow in the 80s and 90s.

Comments

Not Fade Away
June 4, 1978
Campus Stadium - University Of California

Darkstar67 heard that Darkness Jam (a good get!) in the 11/2/79 NFA and that got me looking around for others with unique sections. This one quotes Nobody's Fault But Mine from 5:00-6:00 on the linked source. The whole version is short, but it smokes and Donna sounds lively too.
Not Fade Away
Nov. 2, 1979
Nassau Coliseum

Funky and played at full volume by everyone, albeit short. Brent and Phil are out front for much of the first half. Definitely unique.
Mississippi Halfstep Uptown Toodeloo
May 4, 1977
The Palladium

Typical May 77 precision and fluency before rio grandeo and then decidedly different afterwards: sweet, quiet, subtle - a little weird to be so understated at the end of a show opener, but I like it. The actual singing of rio grandeo is excellent, even if the SQ of this board doesn't stack up against the rest of the month.
The Music Never Stopped
Dec. 17, 1978
Fox Theatre

Here: https://archive.org/details/gd78-12-17.sbd.wiley.13408.sbeok.shnf
Mississippi Halfstep Uptown Toodeloo
Dec. 12, 1978
Jai-Alai Fronton

I had a copy of just this halfstep mislabeled as 1/10/78 that someone burned for me in the late 90s. It's nice to know the actual date now. The highlight of this version for me is the sequence of octaves that Keith hits at the end of Garcia's solo just before they sing rio grandeo. Otherwise, a decent but not elite version.
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