headyversion

find the best versions of grateful dead songs

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catalonia

neshaminy

+2082


Submissions

2
Brown Eyed Women
Oct. 28, 1977
Soldiers' and Sailors' Memorial Hall

Every bit the equal of Cornell. 8/24/80 still has a better solo, but this is 1977 y'all.
5
Tennessee Jed
Oct. 28, 1977
Soldiers' and Sailors' Memorial Hall

Perfect, with some filthy guitar in the outro.
2
Scarlet Begonias
June 12, 1984
Red Rocks Ampitheatre

1984 audience only standalone Scarlet (touch) at Red Rocks. Great solo, excellent transition.
6
Ship of Fools
March 22, 1985
Hampton Coliseum

10 minutes, on YouTube and worth a peek in b/w scarlet>bucket and terrapin.
5
Hell in a Bucket
March 22, 1985
Hampton Coliseum

Out of Scarlet Begonias to open the second set, with some teases of the song in the transition.
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Comments

The Music Never Stopped
Dec. 7, 1981
Des Moines Civic Center

A+. Bobby blows some lyrics, Jerry misses the transition from midsection to outro, but this one is AUD only, so you're probably not listening for album-ready polish anyway. This one has a fantastic midsection and a one-of-a-kind fireworks finish to the outro.
The Music Never Stopped
Oct. 21, 1983
Worcester Centrum

A substantial show opener with a big midsection.
Estimated Prophet
Nov. 24, 1978
Capitol Theatre

Color video on YT. Jerry-Bobby interaction during the outro leads to some unique EP moments. The ensuing shakedown is pretty nasty too.
The Music Never Stopped
March 13, 1981
Utica Coliseum

I like this version, but I'm on an MNS bender right now and I would probably put this in top 25-50 range, to get all real about it. The lyrics are well done (a vocal flub at the beginning of one verse is reversed at the beginning of the next - sun honey / cool breeze Tuesday - and that's a nice touch). But the midsection, spacey and fevered, is yet played elsewhere with more focus and direction and the outro certainly gets shredded harder. I'd still rather listen to this than do a million other things though.
Cassidy
March 13, 1981
Utica Coliseum

The outro begins with some dissonant stuff even for this section of Cassidy which usually features it. But the end of the outro is truly special - something for anyone who likes the song to hear.
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