headyversion

find the best versions of grateful dead songs

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catalonia

neshaminy

+2082


Submissions

4
Caution
May 12, 1980
Boston Garden

This is a pretty intense early 80s-style Caution jam. I was surprised to find this just now.
5
The Music Never Stopped
Dec. 1, 1979
Stanley Theater

A unique beginning with nice peaks to both the mid jam and the outro.
3
Mississippi Halfstep Uptown Toodeloo
Feb. 4, 1979
Dane County Coliseum

The final Keith and Donna Half Step stands up well, even though there's one lonely AUD.
3
Mississippi Halfstep Uptown Toodeloo
May 11, 1979
Billerica Forum

An early Brent Mydland Half Step with electric piano pre rio grandeo and a joyful Garcia solo afterwards.
7
Sugaree
Oct. 18, 1978
Winterland Arena

No fanning or soaring peaks, but solo 3 (7:45-12:45 on CM's SBD) is a new favorite - sublime, mellow, laid back.
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Comments

The Music Never Stopped
May 16, 1978
Uptown Theater

This one has a great mid-jam and the transition is smooth. The outro picks up steam and Jerry fans away at a peak twice. This show has a partial SBD, but this is in the AUD portion of the show and I was not totally impressed with the fidelity of what I heard. Still a nice version.
Mississippi Halfstep Uptown Toodeloo
May 17, 1978
Uptown Theater

I'll give this a second vote - not because it's as good as a '77, but because of the loping, rolling guitar stuff pre rio grandeo. I wouldn't mind any of the rio grandeo section happening as background music to my daily life.
Franklin's Tower
May 17, 1978
Uptown Theater

Each solo is a novel take on the song on this first halfstep>Franklin's opener. There are hiccups, but a pretty epic second song of the night too. This will stack up well against easily better than 75+% of the other stand-alones.
Scarlet Begonias -> Fire On The Mountain
July 15, 1988
Greek Theatre, U. Of California

The Fire is the story here - every break has something fluent and crazy. The Scarlet is ok, but that didn't send me here.
Scarlet Begonias -> Fire On The Mountain
Nov. 30, 1979
Stanley Theater

Jerry goes back to the bridge mistakenly after the first solo break – which is the better break of the two. The transition is fiery, but my favorite element has to be Brent's sound right as FOTM starts. The Fire is short a verse, but both breaks are perfectly solid. Jerry usually lands on his feet like a cat when a mistake is made and he does here.
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