headyversion

find the best versions of grateful dead songs

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catalonia

neshaminy

+2082


Submissions

3
Eyes Of The World
Jan. 17, 1979
New Haven Coliseum

Several relentless guitar passages throughout.
4
Wharf Rat
Jan. 10, 1979
Nassau Coliseum

Hard to believe this is an AUD. 8:00-8:40 is a good example - crystal clear and tight.
3
Row Jimmy
Jan. 10, 1979
Nassau Coliseum

Not too fast and not too slow with some nice double time at the end.
4
Playin' In The Band
Jan. 6, 1978
Swing Auditorium

Jerry has laryngitis, so only Bobby tunes set 2 this day, and Keith Godchaux takes over the 2nd half of this PITB, especially the last 5 minutes.
5
Deal
June 22, 1983
City Island

This is an eleven minute Deal with a bunch of ebbs, flows and peaks.
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Comments

The Music Never Stopped
May 16, 1978
Uptown Theater

This one has a great mid-jam and the transition is smooth. The outro picks up steam and Jerry fans away at a peak twice. This show has a partial SBD, but this is in the AUD portion of the show and I was not totally impressed with the fidelity of what I heard. Still a nice version.
Mississippi Halfstep Uptown Toodeloo
May 17, 1978
Uptown Theater

I'll give this a second vote - not because it's as good as a '77, but because of the loping, rolling guitar stuff pre rio grandeo. I wouldn't mind any of the rio grandeo section happening as background music to my daily life.
Franklin's Tower
May 17, 1978
Uptown Theater

Each solo is a novel take on the song on this first halfstep>Franklin's opener. There are hiccups, but a pretty epic second song of the night too. This will stack up well against easily better than 75+% of the other stand-alones.
Scarlet Begonias -> Fire On The Mountain
July 15, 1988
Greek Theatre, U. Of California

The Fire is the story here - every break has something fluent and crazy. The Scarlet is ok, but that didn't send me here.
Scarlet Begonias -> Fire On The Mountain
Nov. 30, 1979
Stanley Theater

Jerry goes back to the bridge mistakenly after the first solo break – which is the better break of the two. The transition is fiery, but my favorite element has to be Brent's sound right as FOTM starts. The Fire is short a verse, but both breaks are perfectly solid. Jerry usually lands on his feet like a cat when a mistake is made and he does here.
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