headyversion

find the best versions of grateful dead songs

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catalonia

neshaminy

+2082


Submissions

2
Brown Eyed Women
Oct. 28, 1977
Soldiers' and Sailors' Memorial Hall

Every bit the equal of Cornell. 8/24/80 still has a better solo, but this is 1977 y'all.
5
Tennessee Jed
Oct. 28, 1977
Soldiers' and Sailors' Memorial Hall

Perfect, with some filthy guitar in the outro.
2
Scarlet Begonias
June 12, 1984
Red Rocks Ampitheatre

1984 audience only standalone Scarlet (touch) at Red Rocks. Great solo, excellent transition.
6
Ship of Fools
March 22, 1985
Hampton Coliseum

10 minutes, on YouTube and worth a peek in b/w scarlet>bucket and terrapin.
5
Hell in a Bucket
March 22, 1985
Hampton Coliseum

Out of Scarlet Begonias to open the second set, with some teases of the song in the transition.
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Comments

Truckin'
Jan. 6, 1978
Swing Auditorium

I concur. If you dig 11/2 or 11/6/77, this is some of that same vintage. Jerry couldn't sing second half of this show [and none the next night at all], so he went after it the only other way he could.
Playin' In The Band
Jan. 6, 1978
Swing Auditorium

The SBD linked from this page has the timings wrong. The following is also a SBD, but the tracks are split appropriately: https://archive.org/details/gd1978-01-06.sbd.wizard.24629.sbeok.shnf
Loser
July 22, 1984
Ventura County Fairgrounds

This is great. It helps that the SBD is of such a high quality.
Sugaree
April 12, 1982
Nassau Coliseum

Many Sugarees have a minimalist 3rd solo that's really more an interlude than a solo break. This one has a full 3rd solo where Jerry plays (for lack of a better phrase) understated hummingbird for the majority until he gets into a beautiful peak episode from 10:30-11:30. Three solos: good, better, then best.
Not Fade Away
Dec. 19, 1978
State Fairgrounds Coliseum

This was a nice rec, darkstar67. This has some nice thematic episodes - the kind of playing that was perhaps more planned earlier, but which emerges very naturally here and with subtlety. I think 6:45-8:00 is the highlight of this version. Jerry's playing is beautiful and the rhythm, while clearly intimately related to that of NFA, is still of its own sort.
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