headyversion

find the best versions of grateful dead songs

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catalonia

neshaminy

+2082


Submissions

3
The Music Never Stopped
April 14, 1978
Cassell Coliseum - Virginia Polytechnic Institute and State University

Bob blows some lyrics, but the midsection and outro are fluent and soaring. Lot on the list not as good as this one.
2
Uncle John's Band
Dec. 31, 1979
Oakland Auditorium

Excellent rendition with available A video and sound on youtube through music vault.
2
The Music Never Stopped
Oct. 29, 1980
Radio City Music Hall

Honorable mention on the old dead clubhouse page, but not on here. There's a youtube video with great sound. See for yourself.
4
Cassidy
Oct. 16, 1981
Melkweg

A unique sounding Cassidy. Parts of this almost sound like a studio release of a different band playing like the dead.
11
Scarlet Begonias -> Fire On The Mountain
Sept. 20, 1982
Madison Square Garden

MSG Scarlet Fire from the Fall of '82 - great transition.
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Comments

Estimated Prophet
May 5, 1978
Thompson Arena - Dartmouth College

I listened to this three times today but I hadn’t ever heard it before. As Grendel says, the 1st solo break is fantastic. I like the outro too, especially the first minute or so, but the memorable segment in this version is that first break. Top notch.
Wharf Rat
Dec. 31, 1976
Cow Palace

This one is no joke, off on its own trip. I love the guitar tone Jerry uses on the outro.
Sugaree
Sept. 25, 1976
Capital Centre

Solo 2 is tight and is a slice straight out of 77. The climax to that second break - the last two minutes of it - is a Sugaree moment that can hold its own with almost any other.
Pretty Peggy O
Aug. 24, 1980
Grand Center

This one is an authentic sleeper. One vote when I got here. Top 10 Peggyo. SQ could be better but everyone’s cool with the BEW from this show.
Eyes Of The World
Oct. 29, 1977
Evans Field House, Northern Illinois University

I suppose that we have Grendel to thank in part for this release. I just listened to this Eyes while I navigated the subway this morning and I was filled mixtures of joy and then later fiery emotion during the shredding that goes on during the second solo break. This one is unique, bridging the gap between the 77 and 78 aesthetics. Garcia’s playing is controlled but he is shredding so hard that it almost gets away from him at times.
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