headyversion

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Era Evangelist

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Submissions

1
Turn On Your Love Light
June 20, 1969
Fillmore East

Absolute madness. Pigpen takes the Hammond for an extended stroll, and Jerry ends up on an acoustic before it's over.
8
Dupree's Diamond Blues
June 7, 1969
Fillmore West

You got to admit that that sweet, sweet jelly's so good
5
Me and My Uncle
May 7, 1970
DuPont Gym - MIT

Acoustic guitar gunslingers.
4
I Know You Rider
May 7, 1970
DuPont Gym - MIT

Another piece of awesome slightly obscured by being a 1970 audience recording.
5
It's All Over Now Baby Blue
June 4, 1970
Fillmore West

The benediction at the end of this night's religious experience.
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Comments

Turn On Your Love Light
Feb. 1, 1970
The Warehouse

Compares surprisingly well with the version 10 days later, complete with a stage full of people.
Turn On Your Love Light
Jan. 23, 1970
Honolulu Civic Auditorium

30+ minute romp, Jerry gets the slide out somewhere in there. Not sure who ends up on stage babbling with Pigpen, nor am I sure just WTF is going on w/ the last cut - other than to say at 32 minutes, this song turns into Dark Star, and it sounds suspiciously like 2/11/70.
The Other One
Feb. 2, 1968
Crystal Ballroom

The Cryptical reprise is longer than the Other One, the lyrics are still sort of in flux, and it never really finds that fluidity under all of that agro that we've come to know and love, but..this is absolutely Anthem-tastic, all the same.
Good Morning Little Schoolgirl
Feb. 2, 1968
Crystal Ballroom

Pig actually croons about box back nittys and great big and noble thighs here, gets distracted by being a King Bee and assorted stingers and brings some spirited harmonica/guitar exchanges w/ Jerry. Listen to the Clementine before it (I'd list it if I could - there are only 5, so I can see why it's not listed. If you haven't had the 'Hey, this is My Favorite Things on acid' epiphany yet, it's worth the trip) to have the tune fresh in mind...it manages to bleed into the pacing/feel of this Schoolgirl interestingly.
Good Lovin'
Sept. 18, 1970
Fillmore East

Holy hell. Phil bombs, Bob Weir having an out-of-body guitar experience, Jerry vamping like a madman....this thing is freaking amazing. Up to about 5 minutes, this is your standard 1970 Good Lovin'. At 5 minutes, somebody flipped the 'MAKE THINGS AWESOME' switches in a completely different configuration than I've ever heard. Jerry repeats this heavily hairy effect combo while Bob (For real. Is the world sure that is Bob? It's that good.) tears thru amazing lead after amazing lead. WHAT THE HELL DID I JUST LISTEN TO?
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