For those who don't care for the feedback/chase dog from the room DS's...this one is jazzy, jammy, rockin', & beautiful. No distortion; none needed

Weir: "We know we aint gonna get no satisfaction but we're gonna give it a try...You can scream& twist & beg & cry!"

Lightning quick yet totally on-track riffs from Jerry; intense, powerful version. Weir 100% into it. Segues into killer Deal. Trust me. Must hear.

Perfect wind up, pitch & strike down the middle. I've yet to hear a better one, though I'll try some of the recs here. Til then.....

From one of the greatest shows ever, a bring the house down killer. Keith w/perfect piano exc. point!

Franklin's out of Drums is nuts & there's a great Eyes-like mellow and long intro to this one & for those who like stretchy Franklin's this one clocks in around 16 mins. As noted, though, Jerry can't get out of his own way with the lyrics and just repeats a bunch of verses. For me it's just too sloppy for an upvote, but that said it should be checked out for some inspired jam sections and its unique set placement. You may feel it's worthy of some more votes and I wouldn't really put up much fight on that front.

Underdog. Hidden gem. Single digit sleeper. This is the musical equivalent of finding a great hole in the wall cafe that only the locals know about. Easy to miss, but so worth checking out.

First BP I ever heard and still one of the best. Agree with hypnotic as a description. While it lacks the monster outro section of later versions its melancholy feel and atmospheric mellow blues persona can't be beat.

Hesitant to add my vote (but did) because I like where this is on the list right now & wouldn't want to see it rise above too many others (esp. 5/11/77 or 11/2/77) because it's just got too many rough edges to be in the upper echelon. On the plus side Jerry doesn't panic when he misses the "rings on her fingers" line at the very beginning and instead takes a quick round before picking it up a bit later and that gives this one a bit of a unique personality and doesn't detract from what becomes a very good Scarlet with a nice jam into wind in the willows. The segue to Fire is mellow, laid back, with a short burst of Jerry that re-fades into a softer flow drifting into Fire. I do take umbrage with Jerry's total butchering of the lyrics, though. I realie it doesn't bother some but he can't deal with either of the two verses here and does his mumbly Joe thing, which really detracts to my ears. Yes, he does mitigate the damage by crushing the solo after verse one. The outro is good, not spectacular, with many above it on the list--and rightly so--offering better. but this one does have its flares of brilliance and a general benefit of that tight '77 sound and so it gets my upvote. Just hope it doesn't rise too far with a bump from being an official release in this instance.

This one starts out super-mellow but Garcia takes care of that in his first monster solo heading into the "got up & wandered" verse. It's a GD jaw-dropper & like the rest of this show the band is right there with him. Just another brilliant '77 here.