Goofy stage banter by Bob, then the rippingest, roaringest, best-drummed version I know.

Best ever. No fooling. Don't miss Mickey and Billy dueling each other at the frenzied end jam before heading into SSDD. Whole version insane!

Crazy hard driving insanisty to end the first set. One of those jam segments that builds and builds and KABOOMS into final verse. Phil fans: a must

Sweet & melty....gorgeous harmonies from Brent.

1977 was a helluva year for this song. I have no quarrel w/ 5/5, 5/19, or 5/21, but I think this one beats 'em all by a nose!

This version is from whatbjust may be the best AUD recording of all time (the Glassberg,just to be clear). The version itself is very very good, but I'll play devils advocate and grumble a bit about its placement at the top. I think there are other versions from this same year that are better, especially the end jam 5/1/81 comes to mind) and I also think there are deeper jammed out versions from 1980 and more overall colorful ones from shows in the late 80s, early 90s, so I do wonder if this one gets a lot of extra love due to the recording itself. All that negativity said, this does deserve top 5 status and there is a moment in the end jam where Garcia runs a tiny lick that shifts the drummers and everyone else into another gear and it's brilliant. So a little nitpicking here, but only for the top dog designation. I do get overall tho why it's so highly regarded.

Vital part of the incredible 2nd set.

A perfect, compact, not-a-note wasted ripping version. Keith and Jerry both tear it up, while Bob, Phil and Mickey keep the rhythm charging along. Pull out the DP version or archive-listen, but either way give this one so more well deserved love.

Nicely jammed '74 that stands out mostly because it segues into One More Saturday Night.

I have my issues with Donnie's at times overly critical grousing about certain versions and his subsequent questioning of people's Deadhead credentials as a result, but on this one I'm firmly in his corner and NOT just because I nominated the version he's backing. I'm at a total loss as to how anyone can seriously and objectively hear the 4 minute Veneta version...which sounds nearly identical to just about any other 4 minute version from '72 that's out there...and then listen to the jammed out, high octane, all-in completely barn burner version from 9/18/90 with the extra factor of Hornsby bringing color and flash and flourish to the whole damn thing, and not conclude that MSG is the superior version. Sorry, folks, but Donnie's straight up right on this one. Promised land from Veneta is good, it's nice, it's Veneta after all. But it's just like every other '72, which is to say, by the numbers, predictable, and with far less to offer than the show stopper that is 9/18/90.