Sweet bass drop-ins by Phil on intro; extended Garcia solos in bridge jam; very intense and fun

There are longer versions, but none has a better bridge jam than this one. My favorite version ever--must listen!

Hard-charging drumming from Billy leads the way. Best MLB jam in this pairing I've ever heard. Hard to believe it wasn't listed yet.

Intense build-up jam, perfect touch-down. Weir absolutely nails it. My favorite version all-time

Laser-focused, perfect rendition, start to finish. Super-funky with awesome Jerry fuzz-guitar, rock-blues jamming post-vocals

This version is from whatbjust may be the best AUD recording of all time (the Glassberg,just to be clear). The version itself is very very good, but I'll play devils advocate and grumble a bit about its placement at the top. I think there are other versions from this same year that are better, especially the end jam 5/1/81 comes to mind) and I also think there are deeper jammed out versions from 1980 and more overall colorful ones from shows in the late 80s, early 90s, so I do wonder if this one gets a lot of extra love due to the recording itself. All that negativity said, this does deserve top 5 status and there is a moment in the end jam where Garcia runs a tiny lick that shifts the drummers and everyone else into another gear and it's brilliant. So a little nitpicking here, but only for the top dog designation. I do get overall tho why it's so highly regarded.

Vital part of the incredible 2nd set.

A perfect, compact, not-a-note wasted ripping version. Keith and Jerry both tear it up, while Bob, Phil and Mickey keep the rhythm charging along. Pull out the DP version or archive-listen, but either way give this one so more well deserved love.

Nicely jammed '74 that stands out mostly because it segues into One More Saturday Night.

I have my issues with Donnie's at times overly critical grousing about certain versions and his subsequent questioning of people's Deadhead credentials as a result, but on this one I'm firmly in his corner and NOT just because I nominated the version he's backing. I'm at a total loss as to how anyone can seriously and objectively hear the 4 minute Veneta version...which sounds nearly identical to just about any other 4 minute version from '72 that's out there...and then listen to the jammed out, high octane, all-in completely barn burner version from 9/18/90 with the extra factor of Hornsby bringing color and flash and flourish to the whole damn thing, and not conclude that MSG is the superior version. Sorry, folks, but Donnie's straight up right on this one. Promised land from Veneta is good, it's nice, it's Veneta after all. But it's just like every other '72, which is to say, by the numbers, predictable, and with far less to offer than the show stopper that is 9/18/90.