This is really the best one I've heard--everyobody nails their parts/lyrics...great piano fills on the side (yay, Bruce!). Just exactly, etc.

Incredible. Check out Brent's fills during the epic post-lyrics outro. A must-listen top tier Althea w/bounce, power, & panache!

Apparently no one is aware that a fellow named Keith played in this band or this version would have 50 votes already. Needs to be heard!

Outside of 1977 this may be the best version I've heard. A+ vocals from Jerry, killer mid-solo; slightly faster tempo. Must hear. Gr8 Matrix!

Bob's lyric phrasing on this version is unique. He sings it in a way so different than any I've heard before & it's inventive & super-fun. Must hear!

Gets my vote for greatest ever Donna transition section. Some will feel this immediately disqualifies it as a heady version, but I implore you to see beyond your Donna bias and realize what she's doing in this particular version: to scat and vamp and experiment with her voice without going overboard into the screech-filled warblings of early 70s PITB and GSET territory. Instead, Donna gets into the groove of the transition and really rides some instrumental-like vocal waves and it adds a whole new element and flavor to the song that most previous versions lack. So I'm upvoting this primarily b/c of Donna, but also it should be said that if a great SBD copy of this show existed, the rest of the band would deserve an A+ too! The AUD's not bad (CM after all), but the version's good enough that it aches for a clean SBD.

No one's gonna like this post but after repeated listening and really trying to like this version (and the one from the other Cape Cod show), I gotta say--this is crazily overrated and really, just kind of flat out boring. The best thing about it is the transition from Dancin', which is what I suspect has it so highly ranked, but the performance of the song itself is just meandering with no real peaks and very little in the way of excitement. It also suffers from Brent's penchant for Fisher Price key sounds and just really kinda sits there doing nothing except going on for a long while. Compare to any of the best versions from '76-'77 (and even some '77 versions, it must be said, go on a little longer than they should), but there are even versions of the late 90's that blow this one out of the water (See 10/1/94) for focus, jamming, and tightness. There's some good stuff going on in both CC shows but the "Two Towers" aint it.

The best versions are still from the year previous (see 5/22/77, 11/2/77 and 5/18/77 for the Top 3), but this aint a whole lot farther behind. Confident Bobby reading of Lightning and Jerry doesn't skimp on the jams in Supplication. The lyrical rejoin isn't as tight as the great '77s just mentioned but it's still a rollicking good time and deserves a higher spot on this list. (Better than most any '76 I'd wager.)

Would be higher if there weren't so many dang good versions from May '77 alone, not to mention the year. Upvote worthy nonetheless.

More magic from the show that gets unfairly overlooked due to the night that followed. Jerry's lead into the final stanza is mesmerizing. Another truly great '78 that leaves out the "flight of the seabirds" lyric at the end and is somehow even better for it.