Sometimes shorter is better. At around 10 mins. this beauty from E'72 packs the jazz, jam, passion. Like a more intense version of the one on ACE!

No clean SBD on archive but at official Dead site a pristine version was on 30 days of Dead for DL. 2d best stand-alone I've heard next to 3-20-77

DP Vol. 29...Each time I think I've heard the best (i.e. 12/27/77) I hear one better. This is it. Flowing, gorgeous Jerry bridge jam. Perfection.

Proves the boys could really swing when they wanted to. Hear Jerry on "The Girl I Love" line; like 'Gator Alley--1980 a good year for this tune

Insane. Ridiculous. Drummers locked in, Garcia in take-no-prisoners mode. 16+ minutes of full-bore Rock to the G-D Roll.

Yes! (Turns out, though, that they were intentionally forgetting to sing at the end on a bunch of '78 versions (see 4/24/78 and 5/14/78 as two other examples that, like this one, are excellent nonetheless.)

Love the slower, groovier tempo...reminiscent (though not rising to the same level of headiness) as 10/29/77...but very good nonetheless,,,this whole show gets overlooked for some reason. Check out the Miller SBD and most certainly the "Eyes" from this show,

^^^^You're 100% right. I was just playing this one the other day and marveling at how good it is. I was at the Hampton show when they broke it out in the 80s and it was a blast for the novelty of it but this version tears that one to shreds. They really work the theme here, taking the time to let it wind up and develop and then when they get into the meat of the jam they just give it the perfect tempo/reggae feel treatment and it shines. A way underappreciated gem that deserves a whole lot more votes, especially given how few versions there are. This needs to get into double digits or we're guilty of ignoring an inspired reading of a tune that was a real and rare treat.

There's a lot from this show that gets overlooked. (The Cassidy most egregiously. Far better than many higher on the list), But this Roses deserves some love too.

The more I listen the more I love it. Quiet in all the right parts; mellow but deep and confident reading. One of Donna's better tunes and one of her finest versions right here. Ups.