Farewell to Winterland; Not 40 mins. long ; no break down into feedback nonsense. Just sweet jazzy jamming; Just exactly perfect send off.

Transition jam weaves into spaces most fail to go; touch-down into Fire is GOLD. Jerry flubs first line in Fire-after that: 1 of the BEST ever!

Perfect, self-contained, blues-infused, stellar vocals, 14+ minutes of bliss. Extra fun: Check out the "Birdsong" riff about 10 secs. into the intro

Amazed this isn't here yet Gorgeous, melodic, jazz-infused, mellow, trippy, spacey into hard ripping Jerry riffs; melts into Brokedown Palace. Sublime

Kicks off with authority a 2d set every DeadHead needs to hear. Perfect bookend to Jerry's scorching Dew. They say it was cold&rainy that nite in ME.

Yes! (Turns out, though, that they were intentionally forgetting to sing at the end on a bunch of '78 versions (see 4/24/78 and 5/14/78 as two other examples that, like this one, are excellent nonetheless.)

Love the slower, groovier tempo...reminiscent (though not rising to the same level of headiness) as 10/29/77...but very good nonetheless,,,this whole show gets overlooked for some reason. Check out the Miller SBD and most certainly the "Eyes" from this show,

^^^^You're 100% right. I was just playing this one the other day and marveling at how good it is. I was at the Hampton show when they broke it out in the 80s and it was a blast for the novelty of it but this version tears that one to shreds. They really work the theme here, taking the time to let it wind up and develop and then when they get into the meat of the jam they just give it the perfect tempo/reggae feel treatment and it shines. A way underappreciated gem that deserves a whole lot more votes, especially given how few versions there are. This needs to get into double digits or we're guilty of ignoring an inspired reading of a tune that was a real and rare treat.

There's a lot from this show that gets overlooked. (The Cassidy most egregiously. Far better than many higher on the list), But this Roses deserves some love too.

The more I listen the more I love it. Quiet in all the right parts; mellow but deep and confident reading. One of Donna's better tunes and one of her finest versions right here. Ups.