The very definition of "underrated." Almost lost to time& yet it kills. No flubbed verses, great steady reggae jams;perfect transition. Please try it.

Jerry sounds "just like Wolfman Jack" when he growwwlllzzz out the final chorus on "Goodbye Mama & Papa...!" Whole version is aces back to back!

Jerry in especially soulful voice on this completely perfecto version from one of the best shows of '82. If you like 4-6 Spectrum, you'll love this.

My favorite "sandwich" version, this PITB actually begins in the 2nd set as reprise from the previous night! Insane weaving thru UJB/Space/Dew

Goofy stage banter by Bob, then the rippingest, roaringest, best-drummed version I know.

Yes! (Turns out, though, that they were intentionally forgetting to sing at the end on a bunch of '78 versions (see 4/24/78 and 5/14/78 as two other examples that, like this one, are excellent nonetheless.)

Love the slower, groovier tempo...reminiscent (though not rising to the same level of headiness) as 10/29/77...but very good nonetheless,,,this whole show gets overlooked for some reason. Check out the Miller SBD and most certainly the "Eyes" from this show,

^^^^You're 100% right. I was just playing this one the other day and marveling at how good it is. I was at the Hampton show when they broke it out in the 80s and it was a blast for the novelty of it but this version tears that one to shreds. They really work the theme here, taking the time to let it wind up and develop and then when they get into the meat of the jam they just give it the perfect tempo/reggae feel treatment and it shines. A way underappreciated gem that deserves a whole lot more votes, especially given how few versions there are. This needs to get into double digits or we're guilty of ignoring an inspired reading of a tune that was a real and rare treat.

There's a lot from this show that gets overlooked. (The Cassidy most egregiously. Far better than many higher on the list), But this Roses deserves some love too.

The more I listen the more I love it. Quiet in all the right parts; mellow but deep and confident reading. One of Donna's better tunes and one of her finest versions right here. Ups.