This is really the best one I've heard--everyobody nails their parts/lyrics...great piano fills on the side (yay, Bruce!). Just exactly, etc.

Incredible. Check out Brent's fills during the epic post-lyrics outro. A must-listen top tier Althea w/bounce, power, & panache!

Apparently no one is aware that a fellow named Keith played in this band or this version would have 50 votes already. Needs to be heard!

Outside of 1977 this may be the best version I've heard. A+ vocals from Jerry, killer mid-solo; slightly faster tempo. Must hear. Gr8 Matrix!

Bob's lyric phrasing on this version is unique. He sings it in a way so different than any I've heard before & it's inventive & super-fun. Must hear!

Yes! (Turns out, though, that they were intentionally forgetting to sing at the end on a bunch of '78 versions (see 4/24/78 and 5/14/78 as two other examples that, like this one, are excellent nonetheless.)

Love the slower, groovier tempo...reminiscent (though not rising to the same level of headiness) as 10/29/77...but very good nonetheless,,,this whole show gets overlooked for some reason. Check out the Miller SBD and most certainly the "Eyes" from this show,

^^^^You're 100% right. I was just playing this one the other day and marveling at how good it is. I was at the Hampton show when they broke it out in the 80s and it was a blast for the novelty of it but this version tears that one to shreds. They really work the theme here, taking the time to let it wind up and develop and then when they get into the meat of the jam they just give it the perfect tempo/reggae feel treatment and it shines. A way underappreciated gem that deserves a whole lot more votes, especially given how few versions there are. This needs to get into double digits or we're guilty of ignoring an inspired reading of a tune that was a real and rare treat.

There's a lot from this show that gets overlooked. (The Cassidy most egregiously. Far better than many higher on the list), But this Roses deserves some love too.

The more I listen the more I love it. Quiet in all the right parts; mellow but deep and confident reading. One of Donna's better tunes and one of her finest versions right here. Ups.