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grendel

Books and Music

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Submissions

6
They Love Each Other
Nov. 4, 1979
Civic Center

Early in Brent's tenure he's locked in for the 1st part of a long, flowing instrumental mid-section. Jer doesn't disappoint either. Underrated version
11
Crazy Fingers
April 3, 1990
The Omni

Very strong entry w/no lyrical mistakes & Jerry in fine voice, esp. for the year. Crystal clean sound from '90 spring box set shows how good this is!
14
Brokedown Palace
Sept. 16, 1972
Boston Music Hall

This melts like a dream from a weirdly underrated Dark Star & is sung beautifully by Jerry & played sweetly by all. Give a listen!
7
Help On The Way > Slipknot > Franklin's Tower
Sept. 20, 1991
Boston Garden

Ok technically it's Help>Slipknot>Fire but c'mon that's pretty cool & even w/out the novelty of the change-up it's a sweet version
11
Take A Step Back
Oct. 31, 1979
Nassau Coliseum

Phil: "Remember, if you step up too close We'll HAVE TO STOP PLAYING. Weir: I would remind you all that Halloween is not a legal holiday"

Comments

Samson and Delilah
Oct. 4, 1981
Rainbow Theater

"This bein' Sunday we thought we'd do a spiritual number." -Bob Typically hot, Brent-heavy '81 magic here.
Scarlet Begonias -> Fire On The Mountain
March 22, 1990
Copps Coliseum

^^^^ That's the best description I've heard of this and explains even more than the MIDI why I don't care much for it. You're right, this version never pauses for air, everything's packed in like sausage meat and it while it has plenty of propulsion it definitely lacks in flow, subtlety and nuance. To each his own, of course. I understand the high ratings to a certain extent, but it's all too technical-sounding to me.
Fire On The Mountain
Nov. 24, 1978
Capitol Theatre

Revisiting this old classic recently brought a new level of appreciation. Quick side detour that back in the day I had this show on a 3-LP bootleg album that I THINK (memory not being my strong suit) was called "For Dead Heads Only" and I wore it out. (If anyone else had this LP and can corroborate this as the title please let me know). There were no liner notes or any explanation as to why Jerry's voice was so raspy and damn near full blown laryngitis on "fire", but I realized a few things hearing this again: 1) The band nails this stand-alone (coming out of Olin Arageed); 2) the relaxed tempo was letter perfect, and 3) Jerry commits heartily to this version in spite of his voice, which could have had him dropping out entirely. Instead you can hear him trying valiantly to push through his weakened vocal chord issues and his effort makes it a more poignant, heartfelt version than many others. This is also around the time they had just added the middle verse to the tune ("almost ablaze still you don't feel the heat"), none of the '77 versions having that extra lyric to contend with, and Jer nails it, again, pushing aside as best he can a serious bronchial condition that would eventually cancel at least one later date on the tour. This "Fire" will always have a soft spot in my heart as a result, but it deserves more than just pity points...it's actually quite worthy even with Jerry's vocal disadvantages.
To Lay Me Down
June 23, 1974
Jai-Alai Fronton

OK, but I am calling 9-18-74 better than this one. Although this one is very very good.
Not Fade Away
Dec. 11, 1979
Soldiers & Sailors Memorial Hall

This is almost a grunge-funk version. Slinky. Slow, but funkified. Nasty. Brent just lets loose on this, too. Check out what he does on intro. '79 has some the coolest NFA's ever...and maybe the last truly great year for the tune before it became a throw-away clap-clap-Bop-Bop-fest in the 80's. This is a short version, btw, but that shouldn't be held against it. They pack a ton of fun into that short space.