Gorgeous, incredible, up and down, carnival-like bridge jam by Jerry. Picture perfect version--no flaws

April '78 S>F's often mentioned are 4/16 and 4/24 (rightly so) but this one is every bit as good. Superior transition jam--, beautiful, & powerful

Starts out Jazzy, explorative, takes its time, 3 minute intro, then blasts off into the stratosphere with intense Garcia-led jamming

Struggled with whether to upvote this given a fairly heavy section devoted to dissonance but it's not as annoying as most and actually maintains a forward progression rather than slowing down the proceedings and the jams that emerge, as many have pointed out already are spectacular and unique among Dark Stars of this or any era. Ultimately it's an underrated version with a closing section just before the 2d verse that needs to be heard to be believed. +1

"This bein' Sunday we thought we'd do a spiritual number." -Bob Typically hot, Brent-heavy '81 magic here.

^^^^ That's the best description I've heard of this and explains even more than the MIDI why I don't care much for it. You're right, this version never pauses for air, everything's packed in like sausage meat and it while it has plenty of propulsion it definitely lacks in flow, subtlety and nuance. To each his own, of course. I understand the high ratings to a certain extent, but it's all too technical-sounding to me.

Revisiting this old classic recently brought a new level of appreciation. Quick side detour that back in the day I had this show on a 3-LP bootleg album that I THINK (memory not being my strong suit) was called "For Dead Heads Only" and I wore it out. (If anyone else had this LP and can corroborate this as the title please let me know). There were no liner notes or any explanation as to why Jerry's voice was so raspy and damn near full blown laryngitis on "fire", but I realized a few things hearing this again: 1) The band nails this stand-alone (coming out of Olin Arageed); 2) the relaxed tempo was letter perfect, and 3) Jerry commits heartily to this version in spite of his voice, which could have had him dropping out entirely. Instead you can hear him trying valiantly to push through his weakened vocal chord issues and his effort makes it a more poignant, heartfelt version than many others. This is also around the time they had just added the middle verse to the tune ("almost ablaze still you don't feel the heat"), none of the '77 versions having that extra lyric to contend with, and Jer nails it, again, pushing aside as best he can a serious bronchial condition that would eventually cancel at least one later date on the tour. This "Fire" will always have a soft spot in my heart as a result, but it deserves more than just pity points...it's actually quite worthy even with Jerry's vocal disadvantages.

OK, but I am calling 9-18-74 better than this one. Although this one is very very good.