Gorgeous, incredible, up and down, carnival-like bridge jam by Jerry. Picture perfect version--no flaws

April '78 S>F's often mentioned are 4/16 and 4/24 (rightly so) but this one is every bit as good. Superior transition jam--, beautiful, & powerful

Starts out Jazzy, explorative, takes its time, 3 minute intro, then blasts off into the stratosphere with intense Garcia-led jamming

^^^^ Really glad you're digging this version. It's my all-time far and away favorite so I can't point you to another that quite rises to that level but if you are looking for other great versions I am partial to '77 and would highly recommend 5/18/77 as perhaps runner up to this. 5/15/77 is also a winner and then there's the 2/3/78 version from DP 18 that's pretty jaw-dropping. Other great '77's to check out would be 11/4/77 and 11/5/77 (both DPs, one Dave, one Dick) and give Egypt '78 some attention...very underrated version there.

It's a good one, very deep and dark and driving, and absolutely melts into a pretty terrific Eyes.

This and a sublime Spanish Jam>Eyes are really the only reasons to shell out bucks for the Dave's Picks release of this show, which is really a huge disappointment...also Exhibit A of why I would never pony up for the annual subscription release for a year (not knowing what you're gonna get.) Most of this Selland show is inexplicably overrated and features mostly sloppy play, blown lyrics, and a tinny '74 WOS reproduction. That said, this particular Scarlet stand alone is aces, and unique among any ever played. The tone and riff Garcia lights into (as noted by others) near the 5-minute mark has never been done in any other version ever and is a remarkable hard-rock killer solo that then morphs nicely back into a more familiar Scarlet groove. They nail the rejoin coda as well and for a 1974 version it may very well be the best ever.

Gack. This one is just stupid. And no, I don't mean "stupid good", just pure stupid. Probably killed a few manatees down in Florida playing this screechfest of annoying nonsensical cacophony with absolutely zero sense of musicality. Wouldn't care so much except this is the show they chose to represent 1989 on the "Circles" boxed set; that's a crying shame and a waste of space.

Perfect Crescent City groove, Jerry having fun growling out lyrics, whole band in tow...unlike many other versions from this era it ends on a final down beat before charging into a SugarMag...+1 (Big) Easy!