Segues perfectly out of MAMU and rolls along beautifully til Jerry goes ballistic on the last solo. Must hear.

Nice early stand alone with a long intro. You can hear the transition from the old intro to the more familiar pickings of later versions.

Not really a darkness jam but more of a dark star jam than what it's listed as (PITB) leads into Wharf Rat & is beyond beautiful.

The boys really "throw a mess" on this one, making the carrier dome sound like a down and dirty old time saloon. Slinky sick stuff

Check out Jerry's "giddy-up" riffs in the final "Row" choruses!

Right back atcha cgarces!

Stunned by how good this version is, especially the Franklin's, which really cooks and never meanders like many much longer versions...the jams are focused and energetic and Garcia delivers the vocals really well with no missed lyrics. Great percussion fills also into and out of Slipknot. I'm not impressed by much in '94 but this show delivers consistently (great Althea as well). This needs some ups.

I don't know what to do about this version, it's really got me perplexed. On first blush it would seem to be the kind of Star I despise--heavy on the dissonance--in fact, the lion's share of the jam is a mad frenzy of aggressive Garcia-led fury with no time for any "beautiful jam", "MLB" or "feelin' Groovy" anything emerging from the chaos. It's relentless, it's angry, and yet it's also mesmerizing in its own way. There's a propulsive feel to this one. Even though it favors the darker side of the star than the light, it never veers off into isolated weirdness or aimless Phil bass soloing which has ruined (IMO) many fine versions from this and the next two years worth of Dark Stars. Everything moves forward in this version...I suppose the best analogy is that it's like a musical shark that has to keep driving forward or it'll die...and in fact it ends up merging into one of the finest China>Riders ever, so it never actually ever comes to rest. I suppose it's the kind of version I really have to be in a certain mood to listen to...and it does demand your attention. No casual listening or background music here. This DS will NOT be ignored, and I'll bump it here, even though it'll never be a warm and fuzzy "favorite" for me.

I'm sold. Some real nice vocal delivery on this one, especially given the year. Great outro jams, nice brisk tempo while still hitting all his spots, and Jer even has a bit of fun on the "little sympathy" line. He's feelin' it on this one.

Garcia is really belting out the vocals on this one and it's got a bit of a longer jam break than many versions of this era. +1!