Fast-picking goodness. Jerry's bridge solo is long and lightning quick and awesome. 1 point off for lyric flub on re-entry, but the rest is gold.

Sick of saying "How can X not be here" yet but C'mon! Get the digital DL series and start bumpin this up! Smooth Scarlet, killer Fire jams. Early gem!

From a year not particularly known for great Terrapin, this one proves the exception to the rule. Tight, inventive, soulful.

Bob sez: "we're gonna play one of your favorites and we certainly hope it's one of ours" b4 this sweet electric version!

As insanely good as the Wharf Rat that precedes it. How good? Almost matches 10/29/77 in intensity. Final jam section b4 SSDD will boggle your senses!

Please don't let this languish down here with 2 lousy votes. For crying out loud, this one comes in hot on the heels of Harpur College 5-2-70 in terms of tone and just pure JAM! There's no deviating space debris to sift through here, just Garcia ripping liquid riffs one after another in a long, flowing cascade that all gets power-packed into a tight 10 minutes of ecstatic OtherOne-ness. Listen Listen Listen and upvote if you agree, I'm beggin' ya!

For a song no one ever turns to for instrumental jamming there is, in this version, an extended instrumental bridge that'll make you think the Dead have turned into a mariachi band. Sweet stuff.

Sold after seeing it (again) during this year's 'Meet Up at the Movies' version. I've always maintained 5/1/81 as my favorite Deal but why quibble when this one delivers the goods SO good? Saw it live in '89 and seeing it again on film reaffirms it belongs at the top.

Saw this for the 2nd time last night at "Meet Up At the Movies." 2nd time b/c I was there for the now-legendary summer '89 Alpine run and now, having been reminded by the first-ever film airing of this show just how good it really was, I'm finally here to upvote as many versions from this show as deserve it (and there are many.) What's remarkable about this Dew is how well Jerry sings it (note especially his full commitment to the "young man" section), along with the shredding you've come to expect from superior Dews and the delicate touches in the quiet sections, which are evident and poignant in this version. Yes, good Dews are everywhere in nearly every era, but this version belongs in any Top 10 discussion. I just needed to see it again to jog the memory and, hopefully, get others to check it out again or even for the first time.

But there is such a thing as an ignored one. This version is far too good to be sitting so low on the ladder. This whole show, in fact, is underrated, probably due to its proximity to Ventura and overshadowed by the Europe tour, but c'mon. This is played with a perfect flow and ease and precision that's every bit as good as some of the '72's listed much higher. Give it a listen & show it some love.