headyversion

find the best versions of grateful dead songs

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grendel

Books and Music

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Submissions

52
Dark Star
Dec. 31, 1978
Winterland Arena

Farewell to Winterland; Not 40 mins. long ; no break down into feedback nonsense. Just sweet jazzy jamming; Just exactly perfect send off.
10
Scarlet Begonias -> Fire On The Mountain
Sept. 25, 1981
Stabler Arena

Transition jam weaves into spaces most fail to go; touch-down into Fire is GOLD. Jerry flubs first line in Fire-after that: 1 of the BEST ever!
19
He's Gone
Sept. 26, 1972
Stanley Theatre

Perfect, self-contained, blues-infused, stellar vocals, 14+ minutes of bliss. Extra fun: Check out the "Birdsong" riff about 10 secs. into the intro
36
Dark Star
Sept. 16, 1972
Boston Music Hall

Amazed this isn't here yet Gorgeous, melodic, jazz-infused, mellow, trippy, spacey into hard ripping Jerry riffs; melts into Brokedown Palace. Sublime
48
Cold Rain and Snow
Oct. 12, 1984
Augusta Civic Center

Kicks off with authority a 2d set every DeadHead needs to hear. Perfect bookend to Jerry's scorching Dew. They say it was cold&rainy that nite in ME.
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Comments

Help On The Way > Slipknot > Franklin's Tower
May 22, 1977
The Sportatorium

The unheralded portion of this great version is the "help", which to my ears is performed better than any other. Check out the first jam section...it's fluid and jazzy and perfect in every way and just carries the momentum beautifully into "slipknot " without rushing along. The rest is pretty great too but it's the first of the trilogy in this version that makes it special.
He's Gone
May 22, 1982
Greek Theatre - University of California

Yessiree, and this whole show is among those in '82 that somehow get overlooked for overall excellence. Also check out 9/11/82 for a real sleeper show.
They Love Each Other
Feb. 26, 1973
Pershing Municipal Auditorium

The more I listen to this DP release the more I realize it's one of the top 5 in the series. This TLEO just offers up another example for why.
Pretty Peggy O
Sept. 3, 1977
Raceway Park

Most interesting about this fine version is that it comes as close as possible to being a kind of "rock and roll" rendition of what is in every other version a quiet, heartfelt ballad. This is played at a much faster pace than most others and with far edgier, louder, and grittier leads by Jerry that definitely evoke more of a rock feel. Perhaps this was intentional as they were playing before an enormous festival crowd at Raceway Park and wanted to avoid anything too slow and potentially drowsy.
Crazy Fingers
June 22, 1976
Tower Theatre

Very tasty, and Donna doesn't get in the way as in other '76 versions at key moments...it also melts rather sweetly into "Comes a Time", which is nice.
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