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find the best versions of grateful dead songs

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grendel

Books and Music

+23519


Submissions

16
Shakedown Street
March 24, 1981
Rainbow Theater

15+ minutes of funk w/extended overlapping vocal rounds of "just gotta poke around", etc. before jam Brent adds cool "fuzzy" SFX
1
Big Railroad Blues
Oct. 30, 1971
Taft Auditorium

Check out Keith on this one! He's never been so up front before & right outta the gate!!
20
Cream Puff War
July 3, 1966
Fillmore Auditorium

Peppy early version w/Jer belting out lyrics & Pig doin' some nice work on organ. No archive copy exists; got this off 30 Days of Dead-worth the DL!
8
Passenger
May 7, 1979
Allan Kirby Field House

Super-charged EARLY Brent version rips and tears and shreds. Final jam before the coda is the best they ever did in this tune. Goes to 11.
30
Little Red Rooster
Nov. 30, 1980
Fox Theatre

All about Brent.

Comments

The Wheel
July 16, 1976
Orpheum Theatre

darkstar^^^good point that while a lot of wheels are spacey build-ups (& great they are) this one stands out for getting right into the theme but w/out sacrificing the ethereal moody mellowness of the tune. As Ernie noted as well some very distinguishable eastern influences make this a slightly different & wonderful version.
Let It Grow
Sept. 7, 1973
Nassau Coliseum

Was this really the live debut? If so, up there with the best “first evers” of all time. Jammed out & jazzy & rolls into a stellar Stella.
Stella Blue
Sept. 7, 1973
Nassau Coliseum

rolls gently & smoothly from Let It Grow & is a real gorgeous rendition with no interference on out of key vocals as later versions suffer from. End jam is surprisingly intricate & lengthy given the song's relative infancy. Excellent stuff.
China Cat Sunflower -> I Know You Rider
Oct. 17, 1974
Winterland Arena

Heck yeah and to all the above comments. Worthy of way higher ranking
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

Mind hasn't been changed about this version being undeserving of its far & away #1 all time position but (& perhaps this is obvious to some but it's only just recetly dawned on me) that perhaps the magic of this version is that it can be truly listed as ONE song more than any other existing rendition. The Scarlet end & Fire beginning are just about indistinguishable and the "transition: doesn't even really feel like one. All other versions stand out for their distinctive pairings but Corenll is truly all of one piece. It's amazing & should be rightfully celebrated for that fact. Best ever? Not to these ears. Top 20? Fer sure--and unique among all others--true as well.