headyversion

find the best versions of grateful dead songs

please login or register.

grendel

Books and Music

+23519


Submissions

2
Drums
June 4, 1978
Campus Stadium - University Of California

Part of a very hardcore rock and roll 2nd set. HEAVY wailing Drums>Space>NFA w/motorcycle revs.
8
Beat it on Down The Line
May 16, 1972
Theatre Hall

Another Europe '72 tour winner. Bobby sez "Rock on out" for the bridge jam and Jerry obliges.
24
Ramble On Rose
May 22, 1977
The Sportatorium

Just discovered this one, available on archive as outtakes that didn't make the DP release. Simply put, it kicks ass.
8
Doin' That Rag
June 14, 1969
Monterey Performing Arts Center

Always a tough tune for the band to pull off but here they do it with authority. Jerry nails the vocals w/gusto!
10
Black Peter
Sept. 25, 1981
Stabler Arena

After 10/29/77 this should be your go-to BP. Emotion oozes and Jer shreds the outro.

Comments

The Wheel
July 16, 1976
Orpheum Theatre

darkstar^^^good point that while a lot of wheels are spacey build-ups (& great they are) this one stands out for getting right into the theme but w/out sacrificing the ethereal moody mellowness of the tune. As Ernie noted as well some very distinguishable eastern influences make this a slightly different & wonderful version.
Let It Grow
Sept. 7, 1973
Nassau Coliseum

Was this really the live debut? If so, up there with the best “first evers” of all time. Jammed out & jazzy & rolls into a stellar Stella.
Stella Blue
Sept. 7, 1973
Nassau Coliseum

rolls gently & smoothly from Let It Grow & is a real gorgeous rendition with no interference on out of key vocals as later versions suffer from. End jam is surprisingly intricate & lengthy given the song's relative infancy. Excellent stuff.
China Cat Sunflower -> I Know You Rider
Oct. 17, 1974
Winterland Arena

Heck yeah and to all the above comments. Worthy of way higher ranking
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

Mind hasn't been changed about this version being undeserving of its far & away #1 all time position but (& perhaps this is obvious to some but it's only just recetly dawned on me) that perhaps the magic of this version is that it can be truly listed as ONE song more than any other existing rendition. The Scarlet end & Fire beginning are just about indistinguishable and the "transition: doesn't even really feel like one. All other versions stand out for their distinctive pairings but Corenll is truly all of one piece. It's amazing & should be rightfully celebrated for that fact. Best ever? Not to these ears. Top 20? Fer sure--and unique among all others--true as well.