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find the best versions of grateful dead songs

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grendel

Books and Music

+23519


Submissions

8
Eyes Of The World
Sept. 15, 1978
Sphinx Theatre

Almost criminal this isn't here yet. Grab the Egypt '78 CD & hear one of the loveliest "Eyes" ever. Jazzy, intricate, sweet, & inspired!
12
Loser
Oct. 14, 1977
Hofheinz Pavilion

Possibly the most underrated version of all time with an absolute MONSTER jam by Jerry. Must listen!
7
Looks Like Rain
March 24, 1988
Omni Coliseum

Listen closely: I HATE THIS SONG. Always have. So when I say this is killer it means a lot; & fans of this song tell me it's legendary.
15
Row Jimmy
May 3, 1977
The Palladium

After 3/20/77 and 4/12/78 this may be the best RJ ever. Check out the Miller version that fills in a tape-flip gap & revel in more Garcia magic.
13
Big Railroad Blues
May 11, 1972
Rotterdam Civic Hall

So rippin' good. Get your Jerry on.

Comments

The Wheel
July 16, 1976
Orpheum Theatre

darkstar^^^good point that while a lot of wheels are spacey build-ups (& great they are) this one stands out for getting right into the theme but w/out sacrificing the ethereal moody mellowness of the tune. As Ernie noted as well some very distinguishable eastern influences make this a slightly different & wonderful version.
Let It Grow
Sept. 7, 1973
Nassau Coliseum

Was this really the live debut? If so, up there with the best “first evers” of all time. Jammed out & jazzy & rolls into a stellar Stella.
Stella Blue
Sept. 7, 1973
Nassau Coliseum

rolls gently & smoothly from Let It Grow & is a real gorgeous rendition with no interference on out of key vocals as later versions suffer from. End jam is surprisingly intricate & lengthy given the song's relative infancy. Excellent stuff.
China Cat Sunflower -> I Know You Rider
Oct. 17, 1974
Winterland Arena

Heck yeah and to all the above comments. Worthy of way higher ranking
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

Mind hasn't been changed about this version being undeserving of its far & away #1 all time position but (& perhaps this is obvious to some but it's only just recetly dawned on me) that perhaps the magic of this version is that it can be truly listed as ONE song more than any other existing rendition. The Scarlet end & Fire beginning are just about indistinguishable and the "transition: doesn't even really feel like one. All other versions stand out for their distinctive pairings but Corenll is truly all of one piece. It's amazing & should be rightfully celebrated for that fact. Best ever? Not to these ears. Top 20? Fer sure--and unique among all others--true as well.