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grendel

Books and Music

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Submissions

20
Eyes Of The World
April 3, 1982
The Scope

Unlike nearly every other '80's version, this one isn't all speeded out and rushed; instead it's groovy, jazzy, intricate, very pretty for its time
18
Promised Land
Nov. 11, 1973
Winterland Arena

Yep...too rocking a tune to be ignored. Hard to beat this one, especially as kick-off of trio: Promised>Bertha>GSET
43
Fire On The Mountain
July 13, 1985
Ventura County Fairgrounds

Extremely rare stand-alone "Fire"...2nd song, first set, and a real barn-burner!
4
Deal
Oct. 30, 1977
Assembly Hall - Indiana University

Garcia's solos roll like lightning & rock like thunder. Sings it w/gusto, too. Not to be missed.
56
Scarlet Begonias -> Fire On The Mountain
Sept. 11, 1982
West Palm Beach Auditorium

The very definition of "underrated." Almost lost to time& yet it kills. No flubbed verses, great steady reggae jams;perfect transition. Please try it.

Comments

The Wheel
July 16, 1976
Orpheum Theatre

darkstar^^^good point that while a lot of wheels are spacey build-ups (& great they are) this one stands out for getting right into the theme but w/out sacrificing the ethereal moody mellowness of the tune. As Ernie noted as well some very distinguishable eastern influences make this a slightly different & wonderful version.
Let It Grow
Sept. 7, 1973
Nassau Coliseum

Was this really the live debut? If so, up there with the best “first evers” of all time. Jammed out & jazzy & rolls into a stellar Stella.
Stella Blue
Sept. 7, 1973
Nassau Coliseum

rolls gently & smoothly from Let It Grow & is a real gorgeous rendition with no interference on out of key vocals as later versions suffer from. End jam is surprisingly intricate & lengthy given the song's relative infancy. Excellent stuff.
China Cat Sunflower -> I Know You Rider
Oct. 17, 1974
Winterland Arena

Heck yeah and to all the above comments. Worthy of way higher ranking
Scarlet Begonias -> Fire On The Mountain
May 8, 1977
Barton Hall - Cornell University

Mind hasn't been changed about this version being undeserving of its far & away #1 all time position but (& perhaps this is obvious to some but it's only just recetly dawned on me) that perhaps the magic of this version is that it can be truly listed as ONE song more than any other existing rendition. The Scarlet end & Fire beginning are just about indistinguishable and the "transition: doesn't even really feel like one. All other versions stand out for their distinctive pairings but Corenll is truly all of one piece. It's amazing & should be rightfully celebrated for that fact. Best ever? Not to these ears. Top 20? Fer sure--and unique among all others--true as well.