Bobby's birthday at the world famous Melkeweg. Yummy brownies make this version extra special.

DP #23 from Baltimore...yet another jazz exploration that winds and weaves and delights. More introspective than intense & quite worthy!

Fantastic 15+ minutes of standa-lone Scarlet featuring a very Phil-front bass section post-lyrics. Final jam section gets real jazzy, too.

From a hot steamy night in Texas an equally hot & steamy Terrapin, which melts into a great Estimated

Hidden gem! Jazzy mellow intro to fluid, energetic Garcia-led jamming. Cross-up on 'beaches & seasons" in 1st verse chorus- Phil yells "Get it right!"

Agreed. There isn't much from this show that couldn't stand up as a #1 contender at the very least. Althea, Franklin's, Wheel, He's Gone--all stand outs from an amazing show & this Stranger--never a song that stood out to me--is pretty special here.

It makes ZERO SENSE that this had only one vote when I came to it. What exactly in the name of Jerry is goin' on here? The ChinaCat here is so fluid and Jerry is throwing in tempo changes and extra notes all while holding the main theme somehow tighter than a drum...the rest of the band is right in line, having a blast...Phil's out front and Keith's just butter...then the transition jam charges into jazz city before back-dooring its way into a subtle FeelinGroovyJam intro, which then gets a smooth, elongated treatment before shifting into a rockin' Rider. I know there's a million great versions of this pairing from '72-'74 but even so this one NEEDS higher ranking and really belongs in a Top 5 conversation. Listen and then come back. I'll wait.

This and Jerry's laid-back, intricate notes in all the earliest versions always remind me of Mark Knopfler's sound and style. Check out any early Dire Straits tunes "Once Upon a Time in the West" or "In the Gallery" or really anything from their first two albums and you'll see what I mean.

Both grateful and embarrassed that I'm only just now coming around to how spectacular this Dark Star is! May have just surpassed 10/25 as my favorite of 1969...it's just what a Dark Star should be: beautiful, contemplative, jazzy, then at turns dark, mysterious, flowing, jamming, and with added treats in the latter part of the song: a sweet "Tighten Up" jam and what sounds a whole lot like "Only the Beginning" from Chicago Transit Authority near the end. Exceptional Dark Star!

You won't find a better post-1974, pre-Branford Dark Star than this (w/the exception of Winterland 12/31/78). Plus, this whole show is grossly overlooked. It contains an absolutely killer "Shakedown" and an all-time-best "Miracle" to compliment this meaty DS.