Can't beat this one. Played w/out a hitch, Jerry nails all the lyrics, and when it's over Phil says: "And that's a true story, folks!"

Unlike nearly every other '80's version, this one isn't all speeded out and rushed; instead it's groovy, jazzy, intricate, very pretty for its time

Yep...too rocking a tune to be ignored. Hard to beat this one, especially as kick-off of trio: Promised>Bertha>GSET

Extremely rare stand-alone "Fire"...2nd song, first set, and a real barn-burner!

Garcia's solos roll like lightning & rock like thunder. Sings it w/gusto, too. Not to be missed.

Agreed. There isn't much from this show that couldn't stand up as a #1 contender at the very least. Althea, Franklin's, Wheel, He's Gone--all stand outs from an amazing show & this Stranger--never a song that stood out to me--is pretty special here.

It makes ZERO SENSE that this had only one vote when I came to it. What exactly in the name of Jerry is goin' on here? The ChinaCat here is so fluid and Jerry is throwing in tempo changes and extra notes all while holding the main theme somehow tighter than a drum...the rest of the band is right in line, having a blast...Phil's out front and Keith's just butter...then the transition jam charges into jazz city before back-dooring its way into a subtle FeelinGroovyJam intro, which then gets a smooth, elongated treatment before shifting into a rockin' Rider. I know there's a million great versions of this pairing from '72-'74 but even so this one NEEDS higher ranking and really belongs in a Top 5 conversation. Listen and then come back. I'll wait.

This and Jerry's laid-back, intricate notes in all the earliest versions always remind me of Mark Knopfler's sound and style. Check out any early Dire Straits tunes "Once Upon a Time in the West" or "In the Gallery" or really anything from their first two albums and you'll see what I mean.

Both grateful and embarrassed that I'm only just now coming around to how spectacular this Dark Star is! May have just surpassed 10/25 as my favorite of 1969...it's just what a Dark Star should be: beautiful, contemplative, jazzy, then at turns dark, mysterious, flowing, jamming, and with added treats in the latter part of the song: a sweet "Tighten Up" jam and what sounds a whole lot like "Only the Beginning" from Chicago Transit Authority near the end. Exceptional Dark Star!

You won't find a better post-1974, pre-Branford Dark Star than this (w/the exception of Winterland 12/31/78). Plus, this whole show is grossly overlooked. It contains an absolutely killer "Shakedown" and an all-time-best "Miracle" to compliment this meaty DS.