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find the best versions of grateful dead songs

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grendel

Books and Music

+24543


Submissions

13
Brother Esau
Oct. 28, 1985
Fox Theater

Complete with kickin' cow bell, nice long intro, easily one of the best you'll find.
13
Run Run Rudolph
Dec. 7, 1971
Felt Forum, Madison Square Garden

Give it a spin before Santa comes...Pig does Chuck Berry and Kris Kringle proud!
11
U.S. Blues (Wave That Flag)
Sept. 11, 1974
Alexandra Palace

DP Vol. 7 in London...special hard-core ROCK&ROLL kick-ass version, as if to remind the good folks across the Pond what happened 200 years earlier.
5
The Wheel
May 1, 1981
Hampton Coliseum

Like every song in this vastly underrated show: Just Exactly Perfect.
28
Beat it on Down The Line
Feb. 28, 1973
Salt Palace

Normally not a song I take much notice of...but Keith just takes over this puppy and turns it into a rollicking good time!

Comments

Estimated Prophet
April 19, 1982
Baltimore Civic Center

Thanks for the heads up on the other reprise versions, Klaussmith! I must go and find and listen...I was convinced Baltimore was the only time, but if there are others, that's great! Love how it sounds when they bring it back around!
Here Comes Sunshine
Feb. 17, 1973
St. Paul Auditorium

Not the best HCS & not the best China>Rider to follow either (tho' neither is bad)....HOWEVER, this transition from HCS>ChinaCat is one of the, if not THE best supercool&smooth transitions the band EVER performed, on par with and perhaps better than SugarMag>Scarlet from Alpine '89. Worth it just for the seamless transition alone.
Scarlet Begonias -> Fire On The Mountain
April 3, 1982
The Scope

Seek out the new "Seaweed" SBD version which is superior to all others and marvel at how bouncy, jammy and loosey-goosey awesome this version really is. Insanely good "Eyes" as well...
Playin' In The Band
June 22, 1973
Pacific Coliseum

Much like the "Birdsong" from this great show, there are elements of "Dark Star" and great gooey mellow spaciness in this version. Needs more votes.
Cosmic Charlie
June 19, 1976
Capitol Theatre

Must agree. Vocally, Donna keeps things in a sweet spot and the slow but not too-slow tempo carries this one into #1 territory.