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find the best versions of grateful dead songs

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grendel

Books and Music

+24543


Submissions

2
Brown Eyed Women
Aug. 4, 1982
Kiel Auditorium

Fast-picking goodness. Jerry's bridge solo is long and lightning quick and awesome. 1 point off for lyric flub on re-entry, but the rest is gold.
43
Scarlet Begonias -> Fire On The Mountain
April 30, 1977
The Palladium

Sick of saying "How can X not be here" yet but C'mon! Get the digital DL series and start bumpin this up! Smooth Scarlet, killer Fire jams. Early gem!
15
Terrapin Station
Nov. 28, 1980
Lakeland Civic Center

From a year not particularly known for great Terrapin, this one proves the exception to the rule. Tight, inventive, soulful.
6
Monkey and the Engineer
Feb. 4, 1970
Family Dog at the Great Highway

Bob sez: "we're gonna play one of your favorites and we certainly hope it's one of ours" b4 this sweet electric version!
19
Sugar Magnolia
Oct. 7, 1977
University of New Mexico

As insanely good as the Wharf Rat that precedes it. How good? Almost matches 10/29/77 in intensity. Final jam section b4 SSDD will boggle your senses!

Comments

Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

the best, Jerry...the Best!
Bird Song
Sept. 21, 1972
The Spectrum

Absolutely agree. Would have listed this one myself had I not assumed it was already here. Keith really provides a gorgeous bridge to a typically smooth and mesmerizing 1972 version. Must-hear.
They Love Each Other
June 9, 1976
Boston Music Hall

All about Keith...check his gorgeous flowing lines that make this one so silky smooth.
Not Fade Away
Oct. 29, 1977
Evans Field House, Northern Illinois University

From one of the all-time greatest shows ever played and my personal #1 favorite. Killer Stephen precedes it...Black Peter...Sugar Mag--all stellar.
Dark Star
Sept. 21, 1972
The Spectrum

Can't believe I only just experienced this. Garcia concocts an MLB while making his electric guitar sound like a bluegrass banjo in the final stanza and leads the rest of the gang on an exploration of improv jamming that must be heard to be believed. Rest of the half hour masterpiece aint too shabby either. Jazzy, mellow, but hard-driving in places...not too much dissonant noise distortion..but that final fury of bluegrass-infused jazz improv leading into AM Dew puts this one into legendary territory.