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grendel

Books and Music

+24543


Submissions

52
Dark Star
Dec. 31, 1978
Winterland Arena

Farewell to Winterland; Not 40 mins. long ; no break down into feedback nonsense. Just sweet jazzy jamming; Just exactly perfect send off.
10
Scarlet Begonias -> Fire On The Mountain
Sept. 25, 1981
Stabler Arena

Transition jam weaves into spaces most fail to go; touch-down into Fire is GOLD. Jerry flubs first line in Fire-after that: 1 of the BEST ever!
19
He's Gone
Sept. 26, 1972
Stanley Theatre

Perfect, self-contained, blues-infused, stellar vocals, 14+ minutes of bliss. Extra fun: Check out the "Birdsong" riff about 10 secs. into the intro
36
Dark Star
Sept. 16, 1972
Boston Music Hall

Amazed this isn't here yet Gorgeous, melodic, jazz-infused, mellow, trippy, spacey into hard ripping Jerry riffs; melts into Brokedown Palace. Sublime
48
Cold Rain and Snow
Oct. 12, 1984
Augusta Civic Center

Kicks off with authority a 2d set every DeadHead needs to hear. Perfect bookend to Jerry's scorching Dew. They say it was cold&rainy that nite in ME.

Comments

Uncle John's Band
Dec. 26, 1979
Oakland Auditorium

From DP Vol. 5...superior contributions from Brent and an absolutely sublime solo in the mid-section by Jerry...a version both sweet and scintillating.
Terrapin Station
May 7, 1977
Boston Garden

Sorry, fellas, but there was NO Terrapin played on this night. Great "Help>Slip>Franklin's", "Ship of Fools", and "Comes A Time", though!
Terrapin Station
March 15, 1990
Capital Centre

Agreed. The Mock Turtle Jam alone is worth the price, etc. Outstanding version.
Terrapin Station
Feb. 26, 1977
Swing Auditorium

Blob- It IS certainly pretty; definitely noteworthy; I just am amazed at how often it appears as a "best ever" when Terrapin discussions come up. Now back to our regularly scheduled song listings ;-)
Terrapin Station
Feb. 26, 1977
Swing Auditorium

Hope I don't incur too much wrath here, but I totally disagree w/all that's been said about this version, especially putting it at #1. It's NOT especially powerful, and while it's played competently enough, it's clear that there are kinks to be--and were--worked out for later versions. I mean, Jerry doesn't even get the lyrics right! (Not that that was so rare, but there are many other versions in which he DOES nail all the lyrics, and the jams are far more interesting and intense than this one.) Please listen objectively and you'll see my point...which is that this version seems to get inordinately praised precisely because it was first--not because it was best.