Nice early stand alone with a long intro. You can hear the transition from the old intro to the more familiar pickings of later versions.

Not really a darkness jam but more of a dark star jam than what it's listed as (PITB) leads into Wharf Rat & is beyond beautiful.

The boys really "throw a mess" on this one, making the carrier dome sound like a down and dirty old time saloon. Slinky sick stuff

Check out Jerry's "giddy-up" riffs in the final "Row" choruses!

Hot as the night in Texas on which it was played.

Love when I can still stumble across a version of Eyes that I'm either unfamiliar with or haven't heard in ages and realize how good it is--enuff to drop a comment on the board. It's been said before but with so many killer versions of this tune in its debut year many worthy entries will get lost in the shuffle. At a relatively paltry 20 or so votes this is one of them. Emerging quietly from a DarkStar this one gives you all the gooey flowing jamming that Garcia had going from the git-go in '73 and I'd also point out that the vocal harmonies are pretty sweet on the choruses...just a great, sweet as molasses reading of the tune and a typical for the year great post lyrics jazz clinic. Keith shines in this section, too.

Don't see how this one's been kept hidden for so long...slightly longer jam section b4 the final return and played at a speedy but totally in control clip--Garcia is dialed in as is the whole band....great version sitting weirdly below 10 votes when I got here

Almost perfect, and almost better for not being perfect. You can tell they hadn't played it in a while & it's like Jerry's trying out new stuff in the jam section that he wasn't doing and the results are jaw-dropping if not what one could nitpick as "a bit off" when it comes to sticking the landing. But what he offers in color and energy and pure gamesmanship is more than worth the loss of pure precision. A grade stuff

Grossly, unjustly, ridiculously overlooked version w/Jerry and the whole band dialed in--great '89 precision w/ hot keyboard fills and a sweet outro jam. Shame it's so low on the board

If you scrolled down this far to find a hidden nugget of a gem of an Eyes congratulations! You've found it. Unlike a lot of latter day versions Jerry abandons the Midi in this one and gets back to gritty guitar pickin with some fuzzy chaw thrown in and Weir just slashes away with really cool counter-rhythms & the whole thing just flows with great energy. Jerry's vocals aren't too bad either especially for the year and this is one of the top tier 90s versions available--shouldn't be this low on the board.