headyversion

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grendel

Books and Music

+24543


Submissions

42
Ramble On Rose
May 19, 1977
Fox Theatre

Gorgeous, incredible, up and down, carnival-like bridge jam by Jerry. Picture perfect version--no flaws
43
Scarlet Begonias -> Fire On The Mountain
April 8, 1978
Veterans Memorial Coliseum

April '78 S>F's often mentioned are 4/16 and 4/24 (rightly so) but this one is every bit as good. Superior transition jam--, beautiful, & powerful
94
Eyes Of The World
Oct. 29, 1977
Evans Field House, Northern Illinois University

Starts out Jazzy, explorative, takes its time, 3 minute intro, then blasts off into the stratosphere with intense Garcia-led jamming

Comments

Wharf Rat
May 17, 1977
Memorial Coliseum

Another thing I love about this deep, rich, Wharf Rat from an equally profound show is the way it literally rolls in from the drummers in one of the more sublime transitions I've ever heard with this tune. Stupendous on its own but made extra special by the lead-in from the playin' jam.
He's Gone
Sept. 18, 1974
Parc des Expositions

There's some extra chaw & drawl in Jerry's guitar solo before the bridge chorus & oh man, is it filthy good.
Dark Star
Nov. 26, 1972
San Antonio Civic Auditorium

Such a pity there isn’t a high quality recording of this show available. I don’t care for the final feedback portion but the FG jam before it and this version overall is sublime.
Terrapin Station
March 20, 1977
Winterland Arena

Spectacular version I should have upped earlier. This & the historic Alhambra version two days previous are likely the two best ever performed in the song’s infancy and can hang with any at the top of this list. There’s a grace & delicate flow to these earlier versions that gets lost in later years (the 1979 versions see a return to some of the gentleness but while it’s ethereal & lovely it lacks the steady continuity of narrative they achieved in versions like this). Heady stuff for sure.
Estimated Prophet
Feb. 3, 1978
Dane County Coliseum

^^^^yes there was some confusion on my end there but I see what folks mean about that extended jam in the ‘78 versions. I still love the spacey outros of the ‘77s but there’s an undeniable thrill in the big sections post 77 with the only risk being that Bobby sometimes jumps back in too quick on the vocal while Jer is still shredding (not so on this one)