Very strong entry w/no lyrical mistakes & Jerry in fine voice, esp. for the year. Crystal clean sound from '90 spring box set shows how good this is!

This melts like a dream from a weirdly underrated Dark Star & is sung beautifully by Jerry & played sweetly by all. Give a listen!

Ok technically it's Help>Slipknot>Fire but c'mon that's pretty cool & even w/out the novelty of the change-up it's a sweet version

Phil: "Remember, if you step up too close We'll HAVE TO STOP PLAYING. Weir: I would remind you all that Halloween is not a legal holiday"

There's a Betty Board of this one available. And it's gorgeous. What's stopping you?

Listening right now baffled at how this is in single digits still & it's not like it's from some obscure show. This is from one of the best shows of an A+ MSG run in the fall of 1990 & this version is typical of the year for its mellow goodness. But this one also stands out for the great keys of Hornsby & some really inventive vibe/calypso flourishes throughout. I think it's better even than the much higher ranked 3/31/91 in NC, & that version is pretty fantastic. Look, nothing in this version is going to remotely approach a '74, '77 or '78 ripper in terms of Jerry opening another dimension in his solos (see 10/29/77 for transport to said dimension) but this is truly exceptional latter day Dead Jazz and it deserves a way higher spot if we're being fair at all to one of the band's greatest tunes.

I mean, every '77 Eyes needs an upvote, but I just dug this nugget out of cold storage today & was amazed--even for the greatest ever year for this song--how stunningly good this one is & it needs to get out of single digit territory. Velveeta cheese (in its best sense) is not a bad description ^^^^

Can't believe I haven't upped this before!. This is the ultimate grooved-out mellow as the dunes of Egypt version, & yes, I love how Donna sounds on this one! The delayed overlapping on jockamo fee na nay between her & Bobby is like nectar. Yeah, it's on the short side but that also keeps it from dragging like some later versions would. Methinks this one is getting lost in the shuffle. Should be out of the single digits by now.

I never really cared a whole lot for this song (or much of anything from BTL tbh) until i heard this version, which is so spectacularly jammed in two heavy sections that are as jazzy as anything they did in any era, and they are in a groove on this one as well. It's still not a tune I seek out but when I do it's almost always to this one.

This is really a sweet version. Jer gives it his all and then some,