headyversion

find the best versions of grateful dead songs

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grendel

Books and Music

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Submissions

15
It Must Have Been The Roses
Oct. 29, 1977
Evans Field House, Northern Illinois University

Almost every song from this show could be nominated for a "best ever." This heartfelt "Roses" is no exception.
11
Aiko Aiko
Dec. 31, 1987
Oakland Coliseum Arena

With the Neville Bros. Jerry gets his Big Easy on.
17
Promised Land
May 25, 1977
The Mosque

Perfection to end the first set of one of the truly great shows ever. Keith, Bobby, Jerry--the whole crew is in the pocket and rocking it hard.
15
Promised Land
April 1, 1980
Capitol Theatre

Both the best and worst version ever. Why? April Fool's gag: Bobby - keys, Brent & Jerry -drums, Billy - bass - Mickey -guitar Phil-vocals
75
Big River
May 9, 1977
War Memorial

They just could do no wrong at this show, Hidden among all the other gems is this monster River. Big solo work by Jerry; nice fills by Keith.
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Comments

Dark Star
April 8, 1971
Boston Music Hall

I love Dark Stars like this. Straight shot jam with no deviation into "silly space" feedback noise and some fine ideas throughout. There are a couple of off notes but they're barely noticeable in the overall scheme, and thanks to Darkstar67 for providing link to the best course for sure of those offered,
When Push Comes to Shove
Dec. 31, 1986
Kaiser Convention Center

Did you know that this song could be good? Like, really, REALLY good? Neither did I until I checked out this version. Killer mid tune solo and Jerry nails the vox. Let these little baby tigers punch you in the ear if you don't believe!
Sugaree
Dec. 31, 1986
Kaiser Convention Center

Excellent recommendation. Surprised given the year how well put together this is. Jam into last verse as good as advertised and best of all...and REALLY surprising...is Jerry's excellent vox. Ups easy.
Shakedown Street
Sept. 16, 1978
Sphinx Theatre

Delicious disco Dead in the desert. This version is crazy groovy and disco-infused in a good way and while it's lacking the 3rd verse and the coda the jams in between are incredible. (In particular after the 2nd verse, what would be the "middle jam" had they sung the 3rd verse is incredibly funky and turn on a dime tight. These shows never got the respect they deserved.
Cosmic Charlie
June 14, 1976
Beacon Theatre

The ones just above this one (6/19/76 and below ((7/16/76) are my two go-to's. I really think '76 was the best (Marybe only) year for this tune. The early versions feel too raw to me and the song isn't given a chance to really breathe. I like the quieter spacey stretch feel of the 76 versions and Donna actually sounds great.
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