headyversion

find the best versions of grateful dead songs

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grendel

Books and Music

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Submissions

43
Althea
May 1, 1981
Hampton Coliseum

Perfect groove and massive push from Phil post-lyrics
43
Estimated Prophet
April 19, 1982
Baltimore Civic Center

From the famous "ravenspace" show; the only version in which the main theme is reprised+lots of Bob yelling
64
Ship of Fools
May 9, 1977
War Memorial

Perfection. The "comes a time" for this show gets all the attention but this SOF is just as grand
64
Uncle John's Band
Oct. 12, 1984
Augusta Civic Center

Part of a 2nd set for the ages; flows in & out of PITB teases & then reprises into killer Dew
20
Terrapin Station
Dec. 31, 1987
Oakland Coliseum Arena

Hold on tight!
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Comments

Shakedown Street
Sept. 16, 1978
Sphinx Theatre

Delicious disco Dead in the desert. This version is crazy groovy and disco-infused in a good way and while it's lacking the 3rd verse and the coda the jams in between are incredible. (In particular after the 2nd verse, what would be the "middle jam" had they sung the 3rd verse is incredibly funky and turn on a dime tight. These shows never got the respect they deserved.
Cosmic Charlie
June 14, 1976
Beacon Theatre

The ones just above this one (6/19/76 and below ((7/16/76) are my two go-to's. I really think '76 was the best (Marybe only) year for this tune. The early versions feel too raw to me and the song isn't given a chance to really breathe. I like the quieter spacey stretch feel of the 76 versions and Donna actually sounds great.
Bertha
Nov. 14, 1971
Texas Christian University

I did. I agree. Locked in year for this tune and this is one of the best.
New Minglewood Blues
May 8, 1977
Barton Hall - Cornell University

Top 5 '77 is crazy hard to do (limiting to 5 I mean) My list would be nearly identical to cgarces but 10/29/77 is at the top of my list for that year and any year.
New Minglewood Blues
May 8, 1977
Barton Hall - Cornell University

My 2 pennies on Cornell: it is a truly great and epic show because of the big ticket songs that it's best known for: ScarletFire, Stephen/NFA and Dew. All as good as advertised even if none of them are in my mind "best evers". What drives me bonkers about Cornell is what you've pointed out here: that so many smaller tunes are automatically given prime marks just because they're in this show. Brown Eyed Women is another perfect example along with this NMB. It's fine but there are at least a dozen others way better that are lower on the list. Some people just see Cornell and instantly vault every song to the forefront when objectively they're not worthy.
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